This publication is based on the Lewis Carroll masterpieces "Alice's Adventures in Wonderland" and "Through the Looking Glass and What Alice Found There." Vittore Baroni had a life-long fascination with the writing of Carroll and Alice's adventures. -- Source of annotation: Marvin or Ruth Sackner.

Includes documentation of works by the "The Nomads." -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial letter as his surname. -- Source of annotation: Marvin or Ruth Sackner.

For this book, each artist was asked to contribute one page of autobiography and one page about anything beginning with the same initial as his surname. -- Source of annotation: Marvin or Ruth Sackner.

This project was organized by Werner Pfeiffer, Professor of Art at Pratt Institute with input from Deirdre Lawrence, Principle Librarian, Brooklyn Museum of Art and was produced by students of Pratt Institute Art of the Book curriculum. The theme of this work is Brooklyn. -- Source of annotation: Marvin or Ruth Sackner.

Contirbutors each produced ten A4 sheets each sheet relating to one of the ten letters in BERN PORTER... The theme is anti-nuclear war weapons. This oeriodical is stored in Robin Crozier's box. The names on the cover are unfamiliar to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Aside from Klassen and Olbrich, four other artists appear to have contributed to this object. However, their names are illegible.

The label states that Eighty Days was made during an Australian Visit from June 13 until August 31, 1997. The cloth bag is labeled Networkers are Miners on one side and Fossick Edition on the other. On one of the photocopied sheets within the bag, the meaning of Fossick is given as Australian or New Zealand slang for to rummage or to search. Its contents are 30 works produced by students of the School of Arts at University of Ballarat that explore the themes of mining, minerals and local history of Ballarat, Australia.The case also contains a catalogue entitled "Field Study Australia" documenting international mail art exhibited at the Courthouse Project in Geelong, Australia.The plastic case is a blue color with the Australian flag embossed on its lid. -- Source of annotation: Marvin or Ruth Sackner.

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.

Janus Head was assembled with original material received through 1980. -- Source of annotation: Marvin or Ruth Sackner.

Participants were requested to artistically or poetically interpret three pages of a Lego patent (1961) that was provided to them by Beaulieu. -- Source of annotation: Marvin or Ruth Sackner.

The books in this assembling were made by Dellafiora's students at HUB Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was made to coincide with the exhibition "Muestra de libros de artista" at the 26th Internacional del Libro de Buenos Aires meeting. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was a student project supervised by Werner Pfeiffer. It was produced on the occasion of an exhibition Half a Century of Book Arts at Pratt. -- Source of annotation: Marvin or Ruth Sackner.

This duplicates the correspondence for the exhibition archive and includes letters and cards by Arakawa, George Brecht, Tenny Duchamp, Ovind Fahlstrom, Ray Johnson, Allan Kaprow, Alison Knowles, Ron Kitaj, Gianni Simonetti, and Wolf Vostell. There are drawings by Baruchello, Mary Bauermeister, George Brecht, and James Nutt, and a collage by Granni Simonetti that deals with plans for assembling the found objects to be placed in a plexiglas box by museum personnel. The box is also accompanied by the catalogue of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This project is composed of self-portraits of the 130 artists themselves, who participated in the first part of this portrait project (also a book) by sending a portrait of Robin Crozier to Crozier. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was collected with a FAX machine to remember the 200th anniversity of the death of Caglostro, an important Italian alchemist, magician, healer, astrologer, and philanthopist of the 18th century (1743-1795). -- Source of annotation: Marvin or Ruth Sackner.

The work deals with ship wrecks. -- Source of annotation: Marvin or Ruth Sackner.