This project and the accompanying box object assembling are a spoof on a vehicle advertised in Frankfurter Allegmeine Sonntagszeitung, the "ResidenSea." The latter is a luxery liner and houseboat all in one with 110 holiday residences and 88 apartments for sale. The prices range from $680,000 t0 $3,900,000! The booklet gives the artist's take on this project and the box objects presents the artists' view of another kind of travelling. -- Source of annotation: Marvin or Ruth Sackner.

This project is composed of self-portraits of the 130 artists themselves, who participated in the first part of this portrait project (also a book) by sending a portrait of Robin Crozier to Crozier. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was collected with a FAX machine to remember the 200th anniversity of the death of Caglostro, an important Italian alchemist, magician, healer, astrologer, and philanthopist of the 18th century (1743-1795). -- Source of annotation: Marvin or Ruth Sackner.

The work deals with ship wrecks. -- Source of annotation: Marvin or Ruth Sackner.

These prints by the 17 contributors were photocopied from the collages made from the same letraset fonts distributed to them by Bealieu. -- Source of annotation: Marvin or Ruth Sackner.

This assembling was made by photocopying rubberstamped pages. -- Source of annotation: Marvin or Ruth Sackner.

The proceeds from this book went to support people with AIDS. -- Source of annotation: Marvin or Ruth Sackner.

Each contributor submitted a self-portrait to this assembling. -- Source of annotation: Marvin or Ruth Sackner.

Albert Dupont organized this book project for his son Ben's class. Each student, the teachers and Dupont contributed a line drawing portrait of themselves, designed so that each individual held the hand of the preceeding and following person. The title means "A Lot of Children." -- Source of annotation: Marvin or Ruth Sackner.

Each participant in this mail art project was given a photograph of the same young woman with the lower half of her face concealed by a mask. They were free to modify it but could not remove the mask. -- Source of annotation: Marvin or Ruth Sackner.

The title of this book in English is "Why Adolf Hitler has not become an Artist." Each of the contributing artists/poets answers this question with one or more drawings or poems. For example, Olbrich writes a sentence,"? -- It's a true story." Garnier provides three ink drawings of caricatures of Hitler that focus on his prominent facial features, his moustache and hair swept to one side. They are captioned, espressionismus, Hil Heitler, and entartete Kunst. -- Source of annotation: Marvin or Ruth Sackner.

Contributors to this periodical are British art students or recent graduates mainly of Goldsmith's College. This was also designated the Pilot issue. -- Source of annotation: Marvin or Ruth Sackner.

Contributions mainly from British art students or recent graduates. -- Source of annotation: Marvin or Ruth Sackner.

The preface was written in her own handwriting by Tracey Emin and consisted of a brief autobiography. -- Source of annotation: Marvin or Ruth Sackner.

Jake Chapman contributed the preface. For this issue, Ken Cockburn printed a book about the Scottish poet, Robert Burns and his favorable feelings toward the French Revolution. In an introduction to two poems, Cockburn mentioned that Burns died on 3rd Thermidor. He further suggested that the French Revolutionary Calendar attempted to wean peasantry away from the use of Saints' days by designating each day with a rural name. Carrie Reichardt made a yellow, latex mold from a woman (Alison O'Dell) that reproduced part of jeans and umbilicus. Most of the other contributions have visual or conceptual artistic themes. -- Source of annotation: Marvin or Ruth Sackner.