The text has the appearance of a novel but none of the words are intelligible. On the last page, there are two lines of calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. Each page depicts three elements, e.g., a single outline of a large letter by McMurtagh that is embellished with adjacent small calligraphic markings by Bennett and a printed text by one of the poets below. -- Source of annotation: Marvin or Ruth Sackner.

This is a print detail from the original piece that is serigraph on ceramic of the first sections from the Book of Genesis. The ceramic piece is installed in the church of SS. Annunziata di Alessandria. -- Source of annotation: Marvin or Ruth Sackner.

This drawing is a New Year gift to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Designated folders number twenty-four. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of three identical photographs that depict abstracted eyes and calligraphic markings/text. -- Source of annotation: Marvin or Ruth Sackner.

Most of the pages consist of a listing of German villages that are printed on the left side of the page. The right side consists of handwritten calligraphic markings and ideograms. Although five copies of the book were made, each is actually unique since the calligraphy varies from one to another. The last six pages provide documentation for the book. -- Source of annotation: Marvin or Ruth Sackner.

Gysin is interviewed by Wilson, with an introduction by William S. Burroughs. They discuss Morocco, magic, science, literature, painting and music. -- Source of annotation: Marvin or Ruth Sackner.

In this letter to the Sackners, the artist writes about her new works which she calls "Architecture Fluide." Examples of this genre were later acquired by the Sackner Archive from an exhibition held at the England Gallery, London in April 1992. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of two marks, one red and the other blue. The left sided pages consist of poems formed only with handwritten 'X's' and spaces. -- Source of annotation: Marvin or Ruth Sackner.