Calligraphic text
Subject Source: Sackner Database
Found in 404 Collections and/or Records:
grove sings 4, 1968
Houedrad draws a diagram describing how this reversal poem is to be set up on a looking glass. His instructions are "this version may be printed on thick white (card) to stand on looking glass best wld be for card to be such that it can be bent thus." -- Source of annotation: Marvin or Ruth Sackner.
Guide for 24 12 8 6 Point Circle, 1967
Cameron writes that this is "a page in typescript & dsh's hand offering 'a guide for a 24 12 8 6 point circle' to be made on a lettera 22 typewriter with single line adjustment" -- Source of annotation: Marvin or Ruth Sackner.
[Happy New Year!] / Melnikov-Starquist, Willi., 1997
Head, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.
[Head of a Woman] , 1994
The portrait of the woman in black & white has been overlaid by computer generated repetitious texts. -- Source of annotation: Marvin or Ruth Sackner.
Help, 1990
This calligraphic message is handwritten on a torn out page of a notebook -- Source of annotation: Marvin or Ruth Sackner.
Her Face Was Pale, 1980
two photos black and white depicting the bottom half of a face. text reads: "her face was pale / dry xerox white".
Hera Oons, 1998
The drawing is done on a page from a book on mushrooms and includes printed drawings of mushrooms and a caption. One of the mushrooms in the drawing is titled, "Scleroderma verrucosum." The title and subject of Sackner's first published medical book was "Scleroderma," a disease of humans and unrelated to the mushroom. -- Source of annotation: Marvin or Ruth Sackner.
Hermes-Satie Hat, 1988
Hieroglypoetry especially for Mr. Marvin Sackner / Melnikov-Starquist, Willi., 30 December 1997
Human Being / Lynne Avadenka ; MA Sackner ; RK Sackner, 2001
This is an announcement for a billboard project and is part of "Root Words," an intensive investigation of th Hebrew and Arabic languages in collaboration with the Islamic calligrapher, Mohamed Zakaria. The Sackner Archive is listed as holding the works of Avadenka. -- Source of annotation: Marvin or Ruth Sackner.
I Am a Painter, 1984
[I am afraid that to read this letter you might need binoculers] / Seille, Genevieve., 1991
In this letter to the Sackners, the artist writes about her new works which she calls "Architecture Fluide." Examples of this genre were later acquired by the Sackner Archive from an exhibition held at the England Gallery, London in April 1992. -- Source of annotation: Marvin or Ruth Sackner.
I Suppose There Should Have Been More Colour, 1974
This book provides performances directions on fluxus-like themes. -- Source of annotation: Marvin or Ruth Sackner.
In a Sequence of Dreams, 1968
In Rapporto A, 1976
The calligraphy in this book is varied from page to page. -- Source of annotation: Marvin or Ruth Sackner.
