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Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 19 Collections and/or Records:

54-64 For Link, 1964

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-61936-58833

Cactus Justo, 1955

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15856-16188
Scope and Contents

This is a different version of the other copy of the poem in typed carbon. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1955

Cactus Justo, 1955

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-57277-10000598

dans 1' ame de 1' omega, 1960

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15852-16184

Marsupialamour, 1956

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15857-16189

Novas Selected Writings [Edited and with an introduction by Antonio Sergio Bessa and Odile Cisneros; Forward by Doland Greene], 2007

 Item
Identifier: CC-49157-70197
Scope and Contents Amazzon.com: This is the first full-scale English translation of one of Brazil's-and the world's-most influential avant-garde literary voices. A generous introduction to one of the key literary figures to emerge from Brazil in the second half of the twentieth century, this book offers English-speaking readers an ample selection of this prodigious writer's celebrated poetry and widely influential critical work. As a poet and as a cofounder of the renowned group Noigandres, Haroldo de Campos has made a unique and substantial contribution to the theory and practice of experimental writing, particularly the form known as concrete poetry, and to the Latin American avant-garde as a whole. These contributions, acclaimed worldwide by figures such as Umberto Eco, Jacques Derrida, Octavio Paz, and Guillermo Cabrera Infante, can be observed unfolding here, first in poetry selections ranging from de Campos' early work before concretism through his most recent production; then in theoretical...
Dates: 2007

o garfo fork, 1956

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15855-16187

Pilot Plan for Concrete Poetry, 1958

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15800-16131
Scope and Contents

Also contains a word key which lists and translates the words each poet uses frequently in his work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1958

POEM - TAKISTRUCT (or BIRHOPAL TAKISTRUCT (281164) & POEM - THE A & H DE CAMPOS BROS (061264), 1964

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55822-59680
Scope and Contents

Houedard has typed two poems a week apart on the same page. He utilized a complex mathematical procedure to arrive at this performance poetry presentation, much like the workings of Oulipo. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

talk silver, 1956

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15854-16186

the ear's pavilion, 1956

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-15853-16185
Scope and Contents

This is the same poem in red ink but pubished b&w in Williams' 'Anthology of Concrete Poetry' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1956