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Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 1101 Collections and/or Records:

Consumito , 1975

 Item
Identifier: CC-47268-50011
Scope and Contents

This book prints a selection of Branco's poems from 1963- 1974. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Controlling Time, 2010

 Item — Box 337: [Barcode: 31858072491198]
Identifier: CC-51989-73091
Scope and Contents

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

CONverse 1-5, 1972

 Item — Box 334: [Barcode: 31858072491032]
Identifier: CC-22762-23197
Scope and Contents

Includes a card written to Pete [Peter Finch?] by Belsey requesting mention of these five cards in your "scene." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Cornponetonepome, 1963

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-09799-9993
Scope and Contents

d.a. levy was the proprietor of Renegade Press. The title poem was set in the style of e.e. cummings. The poems entitled "Sound Poems" are actually tongue-twisters. This was Heckman's only book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

coRRida / Garnier, Ilse., 1965

 Item — Box 476: [Barcode: 31858073111779]
Identifier: CC-50392-71460
Scope and Contents

The print of this original is reproduced in Ilse and Pierre Garnier's folder, "Prototypes: Textes Pour Un Architecture" (1965) that is also held by the Sackner Archive. It is also reproduced in GArnier's book "Oevres poetiques ! 1950-1968 page 219. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1965

corsom, 1958

 Item — Box Artist Boxed Materials/Oversized: D: [Barcode: 31858072491370]
Identifier: CC-58336-10001552
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1958

Cortado por la Misma Tijera, 1977

 Item — Box 614: [Barcode: 31858072461001]
Identifier: CC-31007-32466

[cosmic typewriter]: from texts for the somantric diversion, 1963

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55544-9999175

Counter-Blast, 1969

 Item
Identifier: CC-06778-6897
Scope and Contents

This book designed by Harley Parker is a contemporaneous parody of Wyndham Lewis' Vorticist magazine Blast. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Counter-Blast, 1969

 Item
Identifier: CC-06791-6910
Scope and Contents

This is a parody of Wyndham Lewis' magazine "Blast," with its contents dealing with communication and the Information Age. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Covent Garden Broadsheet: Beethoven Today. No.1, 1971

 Item — Folder 23: [Barcode: 31858072459823]
Identifier: CC-18728-19102
Scope and Contents

Designated Broadsheet No.1. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Cried and Measured, 1977

 Item — Box 622: [Barcode: 31858072461092]
Identifier: CC-38316-40213
Scope and Contents

The poems are based on lists of names in the Aramaic writings of the Jews of Elephantine, Egypt. There is also an essay about the Elephantine Jews, an island in the Nile river at Egypt's southern border who lived in that place in the fifth century B.C. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Crossword, 1975

 Item — Box 319: [Barcode: 31858072490786]
Identifier: CC-25344-25800
Scope and Contents

The block letterforms with equal dimensions and spacings have positive/negative structures that give rise to optical effects. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Cunt Cup, 2000

 Item — Box Artist Boxed Materials/Oversized: Depew, Wally: [Barcode: 31858072491388]
Identifier: CC-55127-1289

d.a. levy's " destructive writing" and the Instant of Communication, 1998

 Item
Identifier: CC-29886-31273
Scope and Contents

Swanberg (aka Markhardt) analyzes levy's poem, "Selected Writings" of 1967, "in which no images appear and in which the words and lines bleed with a superabundance of black mimeo ink ringed by a faint aura of oil...The poem's destructive writing is a putting to death of words. Its realm is without mastery, without time. It is the instant of a complete spending, in which words are sacrificed and the poem IS." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998