This manuscript was typed by Dom Sylvester Houedard, the translator of Garier's manifesto and is stored in Garniker's box. -- Source of annotation: Marvin or Ruth Sackner.

1. TV-Live Fernseh-Live-Aufnahme Farbe 60 Minuten "Farbe Bekennen" WDR Sendung 14.Mai 1970 2. Chrom-Neon-Text Ruhruniversitat Bochum Diptychon 2x300x685 cm (Linke Wand) Architenkten; Hentrich, Petschnigg+Partner 3. Licht-Text-Schwellen Siebdruck Trockentransfer Auf Leuchtstoffrohren 4. Super-Sechtext 1971 5. Super-Sechtext 1971 6. Textschwimmer Siebdruck Auf PVC 1968 7. Apollo Amerika Hortexxt V1 1969, Apollo Amerika Radio-Text VI 1969 Hortext auffuhrung Radio text Performance Moderna Museet Stockholm 1970 8. Textsegal-Text-Sail 330x330cm 1968 Siebdruck Auf PVC Silkscreen on Vinyl 9. Textsegal Text Sails 330 x 330 cm 1968 Siedruck Auf PVC Silkscreen on Vinyl 10 Wah Wah Textteppiche TExt carpets Silkscreen on vinyl 100 x 300 cm 1968 11 Lesewald Modell Plexiglas 1967 -- Source of annotation: Marvin or Ruth Sackner.

The object has the shape of a triangle and can be read from either the recto or verso sides. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript documents the exhibition of Bob Cobbing & Writers Forum at Sunderland Arts Centre, published as Ceolfrith No.3. -- Source of annotation: Marvin or Ruth Sackner.

Ferdinand Kriwet contributed an introductory essay, "Decomposition of the Literary Unit: Notes on Visually Perceptible Literature" that traced the historical antecedents of concrete and poetry. This is followed by an illustrated section on his own linguistic and compositional techniques involving circular concrete poems, "Rundsheiben." "Walk Talk," a vinyl, floor covering, a portion of which was given to the Sackners by Kriwet is depicted in the book.Kriwet defines his term "Sehtext" as a solution to the problem of visually perceptible literature. It is the tension between the physical act of seeing and the intellectual one of reading. Seeing is a process of perception; reading is the reaction to it. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. The inscription on the cover is written and signed by Franz Mon (?). -- Source of annotation: Marvin or Ruth Sackner.

Most of the copies of the first printing in an edition of 108 copies were confiscated by the Cleveland Police in the notorious raid of Jim Lowell's book store in 1966. The second printing by grass coin publishing in 1967 had a different cover, a modified title page & did not contain an index section. This third posthumous printing presented here is a reproduction of the original, the unique page from the second edition as well as the original manuscript pages. The cover silkscreen of this third printing was done by Mike Schaefer. -- Source of annotation: Marvin or Ruth Sackner.

Contains emails between Marvin Sackner and Gregory Charles Thomas, primarily about artists Bob Cobbing and Dom Sylvester Houedard

This page contains R-L on the left side and the letters eft and ight on the right side so that the words Left, Reft, Light and Right can be created. -- Source of annotation: Marvin or Ruth Sackner.