This book commemorating Valentine's Day 1995, consists of randomly arranged phrases containing the word, red, which is omitted and marked with an underlined space. A red pencil is provided in the base to allow writing this missing word. The transluce pages that fold over each other were printed with a laser from a MacIntosh computer. The ink drawings in black ink depicting red colored fruits (apple, strawberry, etc.) on the covers were printed letterpress at the Center for Book Arts, NYC. -- Source of annotation: Marvin or Ruth Sackner.

This anthology includes a poem by Edwin Morgan that Houedard retyped, 'Dogs Round A Tree.' -- Source of annotation: Marvin or Ruth Sackner.

A seach of Grice's publications on the WEB revealed that he has written non-fiction and fictional works (Penguin Press) mostly for young readers. However, no poetry books were listed. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum folder number nine. Poems include "Worm," "Typestract," "Grin," "Are Your Children Safe in the Sea," and "Spontaneous Appealinair." The earliest poem, "Worm" was initially written in 1954 and then revised in 1964. Reprints several poems published in "Eyerun" 1966, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum folder number nine. Poems include "Worm," "Typestract," "Grin," "Are Your Children Safe in the Sea," and "Spontaneous Appealinair." The earliest poem, "Worm" was initially written in 1954 and then revised in 1964. Reprints several poems published in "Eyerun" 1966, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem was composed by Bann and the print was designed by Cant. -- Source of annotation: Marvin or Ruth Sackner.

This book is a compendium of the outstanding artistic work of Berndt Petterson whose work should be better known to a world wide artistic audience. -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

A search of Grice's publications on the WEB revealed that he has written non-fiction and fictional works (Penguin Press) mostly for young readers. However, no poetry books were listed. -- Source of annotation: Marvin or Ruth Sackner.

The German text is rolled into 107 scrolls and mounted on an aluminum and nylon thread necklace frame. -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlet 4. Printed on the title page is the following "This constitutes the first complete performance anywhere of Free Form Poetry." Poems include Wordrow, Whississippi, Etcetera, and Kurrirrurriri. -- Source of annotation: Marvin or Ruth Sackner.

This depicts working ideas for Frog Pond Plop, later realized in a different format as Opening Number No.6, 1965. -- Source of annotation: Marvin or Ruth Sackner.

The theme of the poem deals with the Cold War and is depicted on page 64 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.

The love is actually for a fount of Atlas type. When Charlotte Garry wrote to John Crombie saying she didn't understand the book, he patiently wrote back, 'it is designed, essentially as a diversion for typographers: the cover and first page show a complete fount, the lay of a case of type. On each successive page, a number of letters have been removed: those required to compose a particular name. Ten pages, ten names - from Constance to Fifi. Of course, it's really just a pretext dreamed up by me to show off the Atlas type, an old case of which I'd just acquired by chance.' -- Source of annotation: Marvin or Ruth Sackner.