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Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 485 Collections and/or Records:

a peal in air for apollinaire & marvomovies, 1974

 Item — Folder 23: [Barcode: 31858072459823]
Identifier: CC-19984-20372
Scope and Contents

This print depicts two of cobbing's prints and was presumably distributed as an announcement. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

A Peal in Air [Variant] / Cobbing, Bob., 1990

 Item — Box 386: [Barcode: 31858072461514]
Identifier: CC-17340-17704

A Performance of Concrete and Sound Poetry/An Exhibition of Concrete and Visual Poetry / Cobbing, Bob ; Fencott, P.C. ; Marvin Sackner ; Ruth Sackner., 1982

 Item — Box 387: [Barcode: 31858072461522]
Identifier: CC-17287-17648
Scope and Contents

The exhibition was curated by Ruth and Marvin Sackner. The catalogue was issued on the occasion of the exhibition and performance of Cobbing and Fencott at the Richter Library, University of Miami, February 25, 1982. The exhibition and performance was sponsored by Josephine Johnson, University of Miami. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

ABC poems, 1971

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]

abcdefghijklmnopqrstuvwxyz (Alphabet Poem), 1963

 Item — Box 298: [Barcode: 31858072460870]
Identifier: CC-48358-69384
Scope and Contents This poem was included in several Fluxus boxes. There is no reference to Emmett Williams as an author of the scroll. AbeBooks: Printed scroll of 3 conjoined sheets of buff-colored laid stock, rolled as issued. 2217 x 58 mm. (ca. 87 1/4 x 2 3/8 inches). A fine copy. "A Fluxus printing of "abcedfghijklmnopqrstuvwxyz,' also called "Alphabet Poem,' was usually included in "Fluxus 1" and "Fluxkit.' This work was first published by Verlag Kalender, the publishing house of Bernd Ebeling and Hansjoachim Dietrich, Wuppertal, West Germany, ca. 1961. They also published "Kalender Rolle,' a survey of avant-garde art in 1961 and again in 1962. Printed on a long scroll, their form influenced several Fluxus publications, such as "Fluxus Preview Review'" (Jon Hendricks, in Fluxus Codex). Williams' "An Opera' was issued in the same format, and distributed in the same way. Only the alphabet poem itself appears on the scroll; there is no credit to Williams, nor any publication information. -- Source...
Dates: 1963

Accidental Nature, 1993

 Item
Identifier: CC-02744-2787
Scope and Contents

Depicts Sutherland's rendition of an avalanche. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

Acrobats, 1968

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-12463-12690
Scope and Contents

Depicts a reproduction of Finlay's silkscreen poster/poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

An Opera, 1963

 Item — Box 272: [Barcode: 31858072460938]
Identifier: CC-43838-45934
Scope and Contents

A note in Fluxus Codex indicates that this work was included in several Fluxus assemblage boxes and also sold separately. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Ana 1 - 5 / Cobbing, Bob., 1972

 Item — Box 391: [Barcode: 31858072461555]
Identifier: CC-17516-17882
Scope and Contents

This book represents a performance copy of "Spearhead" (2nd & 3rd editions held by Sackner Archive) onto which is added written and typed notes. There are five performances of "Ana." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Arabics, 1989

 Item
Identifier: CC-05562-5669
Scope and Contents

The pages of this book consist of different arrangements and typefaces of the numbers 0-9, each page depicting a single number variation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Archive for Stuttgart Max Planck Project / Finlay, Ian Hamilton; Costley, Ron., 1972 - 1978

 Item — Box 454: [Barcode: 31858072462173]
Identifier: CC-12667-12908
Scope and Contents In Sept 1972, Finlay enters into correspondence with Jurgen Brenner, a German architect, about a commission for an installation within a garden at the Max Planck Institute in Stuttgart. He selects Costley as the calligrapher and artist for the preparatory drawings. He writes Brenner that he wants "free-drawn letters...as opposed to rigid typographic letters. I consider it essential that poems that people are going to see every day, are verbal/visual/decorative, rather than (as it were) merely literary." In Nov-Dec 1972, Finlay sends instructions to Costley about execution of the sculpture for the installation. The poems in English & German include tile murals, Wave/Rock, Wave, Star/Steer, Sails/Waves, and, sundials, Sea/Land. He follows this up with suggestions for Latin & French versions. Finlay's 2nd list of poems include Schiff, Ark/Arc, Homage to Seurat, Cloud, Gourd (together with Nuclear Sail & Fountain/Sphinx), Set of Wild Stones, and The Colours of the Vowels....
Dates: 1972 - 1978

Archive of Abracadada / Bory, Jean-Francois., 1997

 Item
Identifier: CC-27682-28770
Scope and Contents

The linear, black printed text is laid out with mixed typefaces and sizes. The maquette is a sketch book with chaotically arranged handwritten text that employs several colored inks and calligraphic styles. The manuscript appears to have made with a combination of photocopying and colored letraset type. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997