Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

These poems were written by students at Epping Forest High School, Loughton, Essex, when Bob Cobbing was the visiting poet. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Peter Finch. This is issue No.1 of Second Aeon Folder series; the second and final number, J.P. Wards's "From Alphabet to Logos," is also held by the Sackner Archive. In the introduction, Cobbing describes how he altered the found poems in this work to their final form. -- Source of annotation: Marvin or Ruth Sackner.

Brilliantes used typewriter characters to create distinctive shapes from the characters alone, viz. cats, dogs, lions, tigers, giraffes, bedbugs, girls with hula hoops, farmers, toothbrushes, scissors, pans etc. His images are quite unique in typewriter art and poetry and there are no other examples like his in the Sackner Archive. This book is stored in the same portfolio box as Bridgwater's "Typograms." -- Source of annotation: Marvin or Ruth Sackner.

The book is an expansion of a print (Four People) that depicts a story akin to "it didn't happen on my shift!" -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds "Exploding Galaxy," "Lotterie Romane," "E835," and "Geschutztes Messer," works that are depicted in photographic reproductions in this catalogue. There is also a listing and description of the objects made by Schauffelen 1966-1976. -- Source of annotation: Marvin or Ruth Sackner.

This photograph depicts a sundial sculpture, "The Four, Seas, -Ons In, Sail. A sail is placed in the center to deflect the sun and cast a shadow. -- Source of annotation: Marvin or Ruth Sackner.

This sheet depicts rows of 35 mm film strips that document Kriwet's mandalas as public literature. -- Source of annotation: Marvin or Ruth Sackner.

The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

The black sculpture consists of the Hebrew letter Taw (T). The numerical value of this letter is 400. -- Source of annotation: Marvin or Ruth Sackner.

This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.