This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.

This depicts a square of composed of two words in capital letters THALAMUS & SOL. Houedard has composed several poems using the neurologic structure, Thalamus, as their basis. -- Source of annotation: Marvin or Ruth Sackner.

The word THANKS is incised on the top surface of the orange paper weight. -- Source of annotation: Marvin or Ruth Sackner.

The abstract expressionist cover was painted by maRa. A handwritten poem by levy appears on the back cover. This book contains all the stanzas of Chalchihuitlicue; the booklet of the same title (held by the Sackner Archive) only contains the first stanza. -- Source of annotation: Marvin or Ruth Sackner.

The poems for the most part are written in the Creole dialect of the Fitzroy region of Australia. Pi O's Christian name is Peter Oustabasides. -- Source of annotation: Marvin or Ruth Sackner.

This version of the poem has slight differences from the first version, -- Source of annotation: Marvin or Ruth Sackner.

Flyer advertising a series of exhibitions entitled "The Forest and the Revolution" held from May-October 1981 in Stonypath Garden and the Garden Temple in Finlay's Little Sparta in Lanarck, Scotland. Exhibitions included "Souvenirs of the French Revolution", "Nine Columns", "Names on Trees", "Talismans and Signifiers", "Classic Landscapes", "Pantheon of the Revolution", "Zeno and Epicurus", "Raspberry Camouflage", and "Spartan and Old Roman Promenades", as well as other publications and plantings.

This page contains the three concrete poems in the title. The third poem is an" homage a leopold sedar senghor." -- Source of annotation: Marvin or Ruth Sackner.

The theme of this poem deals with Zen and an afterlife place whose description was inspired by the Tibetan book of the Dead. The poem has five parts; the first two which were published in 1965 have been extensively revised and three parts added. The latter are bound upside down. Three drawings are reproduced in the book. The cover, a watercolor by levy, has a darker, more developed structure than the other copy of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem is set in short phrases on the vertical axis of tightly, rolled scroll with occasional diagonally printed phrases of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The da levy poem is also on the back cover of Tlaloc 13, a periodical also held by the Sackner Archive. This letter is stored in a da levy binder. -- Source of annotation: Marvin or Ruth Sackner.

This poem commemorating Simon Rodia's architectural Watts Towers in Los Angeles was reproduced from Creative Word 1 in the Random House English Series, an educational tool for the schools. -- Source of annotation: Marvin or Ruth Sackner.

Filed in Bob Cobbing box. -- Source of annotation: Marvin or Ruth Sackner.

Designated Pamphlet One 2nd ed. The first edition that was published in 1968 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.