Concrete poetry
Subject Source: Sackner Database
Found in 594 Collections and/or Records:
Supersehtext, 1974
This sheet depicts rows of 35 mm film strips that document Kriwet's mandalas as public literature. -- Source of annotation: Marvin or Ruth Sackner.
Swarms, 2010
The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.
Symphonic Concrete Cine-Text / Sackner, Ruth ; Sackner, Marvin ; Abess, Matthew, 2006
Syntax, 2000
The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.
Tableau - Poeme / Adamus, Karel., 1974
Tan Tandinanan tandinane, 1992
Taw, 1995
The black sculpture consists of the Hebrew letter Taw (T). The numerical value of this letter is 400. -- Source of annotation: Marvin or Ruth Sackner.
Telegrams from My Windmill / Finlay, Ian Hamilton., 1964
This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.
terremoto, 1956
This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.
Text for Fylkingen, 1977
textos y antitextos, 1970
(Th) Gossamer Bed Pan, Revised, 1974
This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.
THALAMUS & SOL (071264), 1964
This depicts a square of composed of two words in capital letters THALAMUS & SOL. Houedard has composed several poems using the neurologic structure, Thalamus, as their basis. -- Source of annotation: Marvin or Ruth Sackner.
Thanks, 2000
The word THANKS is incised on the top surface of the orange paper weight. -- Source of annotation: Marvin or Ruth Sackner.
The Cement Fuck, 1966
The abstract expressionist cover was painted by maRa. A handwritten poem by levy appears on the back cover. This book contains all the stanzas of Chalchihuitlicue; the booklet of the same title (held by the Sackner Archive) only contains the first stanza. -- Source of annotation: Marvin or Ruth Sackner.
the ear's pavilion, 1956
This is the same poem in red ink but pubished b&w in Williams' 'Anthology of Concrete Poetry' -- Source of annotation: Marvin or Ruth Sackner.
