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Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 594 Collections and/or Records:

Supersehtext, 1974

 Item — Box 614: [Barcode: 31858072461001]
Identifier: CC-37522-39379
Scope and Contents

This sheet depicts rows of 35 mm film strips that document Kriwet's mandalas as public literature. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Swarms, 2010

 Item — Box 331: [Barcode: 31858072490976]
Identifier: CC-51532-72630
Scope and Contents

The images in this book are letraset collages; the fold-out depicts the "untitled" letraset collage in the collection of the Sackner Archive. The loose sheet is an Beaulieu's explanation as to why he prefers letraset and typing to computer generated art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Symphonic Concrete Cine-Text / Sackner, Ruth ; Sackner, Marvin ; Abess, Matthew, 2006

 Item — Box 311: [Barcode: 31858072490760]
Identifier: CC-62407-47546
Scope and Contents Matthew Abess, a second year undergraduate student at the University of Pennsylvania, poet and scholar, spent the summer of 2006 researching the work of the British poet, Bob Cobbing in the Sackner Archive. In honor of the Sackner's 50th wedding anniversary, Matthew conceived of a poetic interpretation by mining the letters R-U-T-H and M-A-R-V-I-N in Cobbing's bibliographic entries in their original positions on the page and reprocessing the letters on 50 pages on a photocopier so that the letters on the final page are completely obscured and abstract. Metaphorically, the letters take on a new beautiful life and interpretation. Also included are six pages of working notes. The poet's explantion of his process is as follows: Please see below my brief explanation of the piece. It is rather inarticulate, so please feel free to edit as you see fit! Respectfully, Matthew "Symphonic Concrete Cine-Text" Curated by: Ruth & Marvin Sackner Edited by: Matthew Abess, 24.06.2006....
Dates: 2006

Syntax, 2000

 Item — Box 331: [Barcode: 31858072490976]
Identifier: CC-36501-38299
Scope and Contents

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Taw, 1995

 Item — Box 298: [Barcode: 31858072460870]
Identifier: CC-27721-28826
Scope and Contents

The black sculpture consists of the Hebrew letter Taw (T). The numerical value of this letter is 400. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Telegrams from My Windmill / Finlay, Ian Hamilton., 1964

 Item
Identifier: CC-11679-11897
Scope and Contents

This is Finlay's first book of concrete poetry based upon a typed layout. Sixtenn poems are printed in red color. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

terremoto, 1956

 Item — Box 638: [Barcode: 31858072491370]
Identifier: CC-58412-10001629
Scope and Contents

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1956

(Th) Gossamer Bed Pan, Revised, 1974

 Item — Box 619: [Barcode: 31858072461043]
Identifier: CC-32769-34361
Scope and Contents

This first edition differs from the later, revised edition in its covers, fold-outs, and the presence of an offset page. There are more rubberstamped texts and less typewriter poetry in the first edition than the revised edition. The revised edition also has pages printed in red ink whereas the first edition does not. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

THALAMUS & SOL (071264), 1964

 Item — Box 643
Identifier: CC-56381-9999796
Scope and Contents

This depicts a square of composed of two words in capital letters THALAMUS & SOL. Houedard has composed several poems using the neurologic structure, Thalamus, as their basis. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Thanks, 2000

 Item — Box 134: [Barcode: 31858072457850]
Identifier: CC-44487-46637
Scope and Contents

The word THANKS is incised on the top surface of the orange paper weight. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

The Cement Fuck, 1966

 Item — Box 543: [Barcode: 31858072461068]
Identifier: CC-07335-7479
Scope and Contents

The abstract expressionist cover was painted by maRa. A handwritten poem by levy appears on the back cover. This book contains all the stanzas of Chalchihuitlicue; the booklet of the same title (held by the Sackner Archive) only contains the first stanza. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

the ear's pavilion, 1956

 Item — Box 638: [Barcode: 31858072491370]
Identifier: CC-15853-16185
Scope and Contents

This is the same poem in red ink but pubished b&w in Williams' 'Anthology of Concrete Poetry' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1956