The sculpture that was assembled from different dimensional, wooden typeface forms is stylistically typical of works done by Gette in this period. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum scores number two. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Depew's drawings box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Depew's drawings box. -- Source of annotation: Marvin or Ruth Sackner.

This book includes reproductions of "Book 14 T that consisted of abstract markings rendered on the mimeograph machine. The book reproduces 'The Para-Concrete Manifesto (1996)' is from the original mimeograph printing. Some of the pages inside 'untitled (1964)' also reproduced in the book were based upon images used for levy's '6 cleveland prints' (renegade press, 1964). There were 5 copies published; probably each one different from the other. Here, copy #2. is reprinted. The pages are colored abstract markings with some containing letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the printed edition of this book. -- Source of annotation: Marvin or Ruth Sackner.

Each print depicts the original poem in the Ukrainian language along with a English translation stapled to it. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned underthe direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

The plaque reads I'm {fine. tired. awesome. The signed certificate of authentification is stored in the study small notebook. -- Source of annotation: Marvin or Ruth Sackner.

The painted white sculpture is made from varying size wooden typefaces and fonts including Art Deco arranged in a vertical column attached to a white wooden base. The artist's signature is composed of the wooden type letters on the bottom of one face of the sculpture. -- Source of annotation: Marvin or Ruth Sackner.

Verbotecture is a neologism meaning a construction of words in the space of the page. This book is an anthology of previously published works of Lora-Totino dating from 1966 to 1998 They "identify with Concrete Poetry, but with the need of an accurate relation among the semiotic-graphical values and the meaning of the poem." -- Source of annotation: Marvin or Ruth Sackner.

This piece, reproduced in yellow letters on a blue background, was the front piece in the catalogue of La Rocca's works at Galleria Carini, 1989. The photograph verso is rubberstamped, "ketti la rocca, via de serrogli 66, firenze" and hand dated '66. -- Source of annotation: Marvin or Ruth Sackner.