Concrete poetry
Subject Source: Sackner Database
Found in 594 Collections and/or Records:
Visual Poem, 1953
This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poems, Text Poems, Book Three, Book Four, Book Five, 1970 - 1980
The titles of each book, each containing 32 prints with each print glued one to a page, are written on the covers by Cobbing. These books constitute a "scrapbook of Cobbing's published prints." -- Source of annotation: Marvin or Ruth Sackner.
Visualeyes, 1988
The text is stenciled and colored and is placed at random in this folded drawing. -- Source of annotation: Marvin or Ruth Sackner.
Vite: Poem-Graphique pour un Cerf-Volant, 1966
This is the original of the typing which appears in Chopin's book, "Le Dernier Roman du Monde." -- Source of annotation: Marvin or Ruth Sackner.
Vitriolum, 1988
The title represents an acrostic of alchemy: Visita Interiora Terrae Rectificandoque Invenies Occultum Lapidem Veram Medicinam according to Persiani. -- Source of annotation: Marvin or Ruth Sackner.
Voor'werk, 1990
The inside of the box for this exhibition has four compartments, one for representation of each of the participating artists. Kay Rosen's are concrete poetic-like prints on stiff cardboard. Fiona Rae provides a thick, impasto, acrylic, abstract expressionist painting that is numbered 227/500. -- Source of annotation: Marvin or Ruth Sackner.
Walls Must Crumble, 2000
Wan/Grin (For Schools) / Cobbing, Bob., 1986
One copy is printed on white paper and two copies on brown paper. -- Source of annotation: Marvin or Ruth Sackner.
was an old woman lived in the buddhashoe (290663-060763), 1963
W.H. Davies Nailsworth Series: Q is for Question - U is for Union Uncertainty, 1999
W.H. Davies Nailsworth Series: Q is for Question - V is for Venus Violet and Oak Voices of Scorn, 1999
W.H. Davies Nailsworth Series: T Is for Time..., 1996
Consists of two columns of poetic expressions beginning with the letter T or the word T. -- Source of annotation: Marvin or Ruth Sackner.
Whisper Piece / Cobbing, Bob., 1969
Designated Writers Forum Folder 6. Two of the prints are stored in a binder containing typewriter poems. This copy does not have Cobbing's handwriting across the prints. Another copy held by the Sackner Archive does. -- Source of annotation: Marvin or Ruth Sackner.
Whississippi / Cobbing, Bob., 1969
Designated writers forum pamphlet number two. "Whississippi" written in London and recorded in Stockholm, is the fourth part in a series of whisper pieces consisting of a vocal interpretation of typewriter-picture poems based of the letters in the words "whisper piece." It was read by two voices (Kersten M. Lundberg & Bob Cobbing) and then manipulated in the recording studio. The maquette for this work is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Why Shiva Has Ten Arms (Number One) / Cobbing, Bob., 1969
Designated writers forum folder number seven. This tenth publication of Cobbing includes new versions of the following poems: "Soma," "Whisper Piece," "Vertigo," "Marvo Movies Natter," and "Transcript." Cobbing writes on the envelope that this copy number one was finished at 3AM on August 14, 1969. Colophon states "Why Shiva has ten arms / for he represents the dance of life / the omnipotence of being able to do innumerably / many things at once / .the joyous cosmology. -- Source of annotation: Marvin or Ruth Sackner.
Why Y?, 1988
The two sides of the Y form of the sculpture have question marks. -- Source of annotation: Marvin or Ruth Sackner.
Windmills Enter Arms Race, 1967
This is a varient copy of a print with the same title in Finlay's portfolio Headlines:Eavelines. The overlaid text in this print as well as the colors differ from the print in the portfolio. The finished print has words printed in blue and bluish-purple and the varient copy is printed in green and light blue. -- Source of annotation: Marvin or Ruth Sackner.
