This book depicts an sampling of De Vree's poetic styles. Two original typed pages held by the Sackner Archive are reproduced in this book, "mier mens" page 17 and "picnic" page 25. -- Source of annotation: Marvin or Ruth Sackner.

Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.

In this poem, Furnival plays with permutations of bear, the personal pronouns, ours & nous (we in English from the French), and son using his distinctive calligraphic printed letterform style. This print is depicted in Furnival's "Lost For Words" (2011) page 56. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. The poem deals with speed (the drug or the automobile) that can lead to disaster. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. This booklet consists of a concrete poem which employs Scottish words that deal with the docking maneuver for a ship in harbor. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. Sam Dogin may be a pseudonym for another poet, perhaps d.a. levy. This poem deals with the act of defecation. -- Source of annotation: Marvin or Ruth Sackner.

Correction: Sam Dogin was proprieter of The Book Spot, where Levy worked for a time, Sam Dogin is not a pseudonym.--Source of annotation: Kenty[sic] Taylor.

Edited by d.a.levy. This book has a concrete poem that depicts a sexual orgasm; another version was published by the poet in the Ohio City Series. The author subsequently wrote feminist critical texts. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy aka the author, Alan Denis. The letter "z" is repeated several times in varied typefaces to suggest snoring. -- Source of annotation: Marvin or Ruth Sackner.

This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.

The poem is printed with black letters on a red background; the English, he and she, are printed vertically with the E's interlocked as a metaphor for sexual intercourse. -- Source of annotation: Marvin or Ruth Sackner.

Consists of the port letters and numbers of Scottish fishing vessels fired in green on a white background. -- Source of annotation: Marvin or Ruth Sackner.