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Concrete poetry

 Subject

Subject Source: Sackner Database

Found in 1101 Collections and/or Records:

Si No, 1967

 Item — Box Artist Boxed Materials/Oversized: Be-Bir: [Barcode: 31858072491172]
Identifier: CC-21319-21729

Sign Here, 2004

 Item — Box 178: [Barcode: 31858072459468]
Identifier: CC-44224-46351
Scope and Contents Each sign is accompanied by a sheet listing the date of printing, dimensions, material, producer, edition, date of original artwork and notes by the artist. The catalogues contain essays by Alex Selenitsch, Sing Song, and George Alexander, Richard Tipping's Cure for the Common Code. The Sackner Archive is listed as holding Tipping's works. Other, more recent acquisitions have also been placed in this box. This box also has been acquired by MOMA. -- Source of annotation: Marvin or Ruth Sackner. Included Contents Catalogues: Hear the Art. The Eagle Gallery, London, Great Britain, 1997. (3-fold A4 catalogue essay, 21 x 29.5 cm) Multiple Pleasures. Thorny Devil Press, Wonji Wonji, Australia. / The Art Gallery of New South Wales, Sydney, Australia, 1996. (5-fold A6 catalogue essay, 10 x 15 cm) ...
Dates: 2004

Signografias Y Textos 1967 - 70, 1971

 Item
Identifier: CC-47191-49934
Scope and Contents

This is the first publication of a book that was later pubished in 1990 by Xexoxial Editions as Visual Poems. Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Silent Teachers Remembered Sequel, 1994

 Item
Identifier: CC-27246-27743
Scope and Contents

The poems are laid out in a conventional manner as well as in clusters of words and phrases on a single line. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

silenziovoce (silence voice), 1967

 Item — Box 309: [Barcode: 31858073143632]
Identifier: CC-52481-73608
Scope and Contents

This is also designated No.4 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Simplex 17, 2006

 Item — Box 331: [Barcode: 31858072490976]
Identifier: CC-47312-50055
Scope and Contents

These prints by the 17 contributors were photocopied from the collages made from the same letraset fonts distributed to them by Bealieu. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

singsingsing, 2011

 Item — Box 135: [Barcode: 31858072457835]
Identifier: CC-53210-74362
Scope and Contents

The small hand lettering on this collag reads 's i n g' from different angles. When held up to the light a second layer of writing can be seen. The top border is hand cut. The cancelled, red bordered stamps on the poem object commemorate the work of several product designers and are part of the conceptual work of sloy and nic. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

sinose [si-no-se: yes-no-if], 1967

 Item — Box 288: [Barcode: 31858073143434]
Identifier: CC-52482-73609
Scope and Contents

This is also designated No.3 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Six Sound Poems 2nd Edition / Cobbing, Bob., 1969

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17449-17814
Scope and Contents

Designated folder number four. Works are new versions of "Tan Tandinane," "Wan Do Tree," "Alphabet of Fishes," "M," and "Oslo Solo." This is the second edition of this anthology first published in 1968. Cobbing notes the following: Why publish sound poems in visual form - because the pattern of sound which is the sound poem often makes an interesting pattern on the page...the poem exists in many forms aural and visual...becomes perhaps many different poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Six Sound Poems 3rd edition / Cobbing, Bob., 1970

 Item — Box 392: [Barcode: 31858072461563]
Identifier: CC-31393-32880
Scope and Contents

Designated folder number four. Works are new versions of "Tan Tandinane," "Wan Do Tree," "Alphabet of Fishes," "M," and "Oslo Solo." This is the third edition of this anthology first published in 1968. Cobbing notes the following: Why publish sound poems in visual form - because the pattern of sound which is the sound poem often makes an interesting pattern on the page...the poem exists in many forms aural and visual...becomes perhaps many different poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Six Sound Poems 4th Edition / Cobbing, Bob., 1972

 Item — Box 391: [Barcode: 31858072461555]
Identifier: CC-17482-17848
Scope and Contents

Designated folder number four. This fourth edition contains new versions of the following poems: Tan Tandinane, Wan Do Tree, Alphabet of Fishes, 'M. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

Slack Stack, 1977

 Item — Box 634: [Barcode: 31858072491313]
Identifier: CC-17726-18095
Scope and Contents

Designated Chapbooks No.12. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Slovovyd, 1999

 Item — Box 616: [Barcode: 31858072461019]
Identifier: CC-34018-35694
Scope and Contents

There is an explanation and translation of the concrete poems in English at the back of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999