This version of the poem has slight differences from the first version, -- Source of annotation: Marvin or Ruth Sackner.

Flyer advertising a series of exhibitions entitled "The Forest and the Revolution" held from May-October 1981 in Stonypath Garden and the Garden Temple in Finlay's Little Sparta in Lanarck, Scotland. Exhibitions included "Souvenirs of the French Revolution", "Nine Columns", "Names on Trees", "Talismans and Signifiers", "Classic Landscapes", "Pantheon of the Revolution", "Zeno and Epicurus", "Raspberry Camouflage", and "Spartan and Old Roman Promenades", as well as other publications and plantings.

In Daniels' book, "The Gates of Paradise," this poem is printed on sequential pages 167-171. The shape of the poem consists of five poems with abstract shapes. -- Source of annotation: Marvin or Ruth Sackner.

This page contains the three concrete poems in the title. The third poem is an" homage a leopold sedar senghor." -- Source of annotation: Marvin or Ruth Sackner.

In Daniels' book, "The Gates of Paradise," this poem is printed on page 43. The shape of the poem is a dragonfly viewed from above and this mentioned in the concluding phrase, "Stars shine bright on shatter light fate twitch wings finning out inner atmosphere character. Thee.The. That's go with the flow of the delicate Herakleition transparent inner stratasphere dragonfly light wings, folks." The dragonfly's body consists of rhyming nonsense words. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this poem deals with Zen and an afterlife place whose description was inspired by the Tibetan book of the Dead. The poem has five parts; the first two which were published in 1965 have been extensively revised and three parts added. The latter are bound upside down. Three drawings are reproduced in the book. The cover, a watercolor by levy, has a darker, more developed structure than the other copy of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem is set in short phrases on the vertical axis of tightly, rolled scroll with occasional diagonally printed phrases of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

In Daniels' book, "The Gates of Paradise," this poem is printed on page 8. The shape is that of the lower half of a New York man's body peeing on the sidewalk. The last word of the title together with the urinary stream documents this shape, "New Yorkers Pissing on the Sidewalk." -- Source of annotation: Marvin or Ruth Sackner.

The da levy poem is also on the back cover of Tlaloc 13, a periodical also held by the Sackner Archive. This letter is stored in a da levy binder. -- Source of annotation: Marvin or Ruth Sackner.

In Daniels' book, "The Gates of Paradise," this poem is printed on page 11. The shape is a mandala that surrounds a triangle (from the words in the poem, this signifies a pubic triangle). -- Source of annotation: Marvin or Ruth Sackner.

The spelling of the poet's name in this book is "Shant."Wikipedia: Shaunt Basmajian (30 September 1950 -- 25 January 1990) was a Canadian poet and author. Born in Beirut, Lebanon to Armenian parents, Basmajian emigrated to Canada when he was seven years old. He was a founder of the Canadian Poetry Association, co-founder of Old Nun Publications (with Ted Plantos), and was a member of the Parliament Street Library poetry group. The Shaunt Basmajian Chapbook Award, given annually to a Canadian poet, was established in his memory. The contest ran from 1996-2008.In 1986, he was attacked with a knife and robbed while he was driving a taxi. His right lung was punctured when a robber stabbed him -- Source of annotation: Marvin or Ruth Sackner.

In Daniels' book, "The Gates of Paradise," this poem is printed on facing pages 40-41. The shape of the poem is a caricatured face in profile on the left page with a cartoon bubble idea on the right page. -- Source of annotation: Marvin or Ruth Sackner.

These five books, each relating to one of the senses, are a "tour de force" of book design. They have a playful quality which permits interaction between the reader and the book through unfoldings, pulling apart layered objects, and visual peeks for a fun filled, kinetic experience. The text is replete with puns and cliches. -- Source of annotation: Marvin or Ruth Sackner.