This book is identical to the edition published by Frankfurter Kunstverein except that the colophon is printed in English rather than German. Both editions are held by the Sackner Archive. The poems, printed one to a page, are left in white on different colored backgrounds of narrow rectangles. Some of the poems have also been issued as cards or prints. -- Source of annotation: Marvin or Ruth Sackner.

Eschaton is defined as the final heaven-like stage of history or trying to create heaven here on earth. -- Source of annotation: Marvin or Ruth Sackner.

The 1st edition was published in 1969 and is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This the cover design for the book of the same title which was published by Vertigo Productions, London in 1970; the book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a November internet update of the Writers House calendar for October featuring the seminar "Suddenly Everyone Began Reading Aloud" relating to the exhibition at the Van Pelt Library titled "Make Perhaps This Out Sense Of Can You." Photographs are included of the participants at the seminar. -- Source of annotation: Marvin or Ruth Sackner.

Designated folder no.1. Dom Sylvester Houedard contributed introductory notes to the poems. -- Source of annotation: Marvin or Ruth Sackner.

Several of the poems were composed with the "cut-up" technique. -- Source of annotation: Marvin or Ruth Sackner.

Each page reproduces one of Beaulieu's letraset collages. -- Source of annotation: Marvin or Ruth Sackner.

Each page reproduces one of Beaulieu's letraset collages. -- Source of annotation: Marvin or Ruth Sackner.

The poem is laid out in the shape of a fir tree. This copy is from the unsigned, unnumbered edition of 175; 75 copies were signed and numbered by Lucie-Smith. -- Source of annotation: Marvin or Ruth Sackner.