Conventional poetry

Offset & Finely Pressed, 1985

Item — Box 204: [Barcode: 31858072459955]

Identifier: CC-46150-48863

Scope and Contents

This book was exhibited at Thomas J. Watson Gallery, NYC in 1986 in "The Book Thought Through." There is a photographic reproduction of the unfolded book in the catalogue. Moore designed the book and Alexander composed the poem. The exhibition was curated by Edwina Evers of Califia Books who also wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

On a Scale to 10..., 1986

Item — Box 188: [Barcode: 31858072459583]

Identifier: CC-43807-45903

Scope and Contents

Also designated Fan Broadside. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

On the Slates, 1992

Item — Box 141: [Barcode: 31858072457942]

Identifier: CC-20083-20477

Scope and Contents

This object was designed by A.S.C. Rower. The loose sheets are wrapped in a roll with a $1.00 bill that is tied with a shoelace. The single sanitized shoe is a container for the false row of money; it was obtained from a Salvation Army distribution center in Poughkeepsie, NY. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / to be sorted (unpublished)

one cent: Never Fails. No.308/Aug, 1994

Item — Box 337: [Barcode: 31858072491198]

Identifier: CC-05372-5475

Dates: 1994

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PERIODICALS (old) / NON-COMMERCIAL AND ARTIST PERIODICALS

Orpheus through the rear-vision mirror, 2002

Item — Folder 3: [Barcode: 31858072459419]

Identifier: CC-39864-41829

Dates: 2002

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

P Piece, 2001

Item — Box 336: [Barcode: 31858072491115]

Identifier: CC-37389-39242

Scope and Contents

This is a four column listing of all words beginning with the letter 'P' associated with being a urologic patient, e.g., poked, prodded, palped, peed, pawed, etc. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

Perception & Meaning, 1989

Item — Box Artist Boxed Materials/Oversized: Co-Cu: [Barcode: 31858072491354]

Identifier: CC-16428-16778

Dates: 1989

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / Oversized A-C

Permit Me Voyage, 1964

Item — Box 543: [Barcode: 31858072461068]

Identifier: CC-02426-2466

Scope and Contents

d.a levy (1963) did the cover design as well as 13 abstract, semi-realistic figurative and bimorphic, brown watercolor, picture poems to illustrate this book. The book stored in d.a. levy box (1963). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / L / levy, d.a. / 1964

Pierre Albert-Birot's La Grande Vie, 1998

Item — Folder 31: [Barcode: 31858072459906]

Identifier: CC-30120-31518

Scope and Contents

The image in blue and black inks consists of Albert-Birot's poem set in conventional typography, and rubberstamping text and abstract expressionistic flourishes with diagrams by de Charmoy. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES / TO BE PROCESSED / Cozette de Charmoy

Poem , 1983

Item — Folder 63: [Barcode: 31858072537974]

Identifier: CC-23296-23736

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / PAINTINGS, PRINTS AND BROADSIDES

poem for our Lady of Songs & Dimensions, 2002

Item — Box 544: [Barcode: 31858072461050]

Identifier: CC-42949-44993

Dates: 2002

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / L / levy, d.a. / Posthumous [1969-2008]

POEME PAR LA MOTHE - FENELON & HOUEDARD (220964), 1964

Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]

Identifier: CC-56371-59678

Scope and Contents

The poem is typed in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / H / Houédard, Dom Sylvester

poems about something & nothing, 2015

Item

Identifier: CC-61074-10003849

Dates: 2015

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS / BOOKS (moved to alphabetical shelves)

Poems by Twelve Members of Writers Forum 2nd Edition / Cobbing, Bob, editor ; Rowan J., 2000

Item — Box 388: [Barcode: 31858072463676]

Identifier: CC-35072-36800

Scope and Contents

Contains poems by 12 contributors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / 2000s / 2000

Poems by Twelve Members of Writers Forum / Cobbing, Bob, editor ; Cobbing B ; Rowan J., 1959

Item — Box 385: [Barcode: 31858072461506]

Identifier: CC-17440-17805

Scope and Contents

This book includes poems by 12 contributors. Bob Cobbing (July 30, 1920 - September 29, 2002) was a British sound, visual, concrete and performance poet who was a central figure in the British Poetry Revival. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1959

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / C / Cobbing, Bob / 1950s

poems of dsh, 1964

Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]

Identifier: CC-57846-10001098

Scope and Contents

Charles Cameron writes about this collection of 36 pages and one cover page, "A collection of non--concrete poems on mainly religious topics, some on the beat & raunchy side, typed by me (cc) on dsh's typewriter and inscribed by him on title page "& copied in my presence dsh" - erotic, quixotic, off beat, beat, wild stuff." The poems iknclude adescription os dsh's typewriter, Jack Kerouac, and a poetry definition as 'misplaced sex.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / ARTIST POETRY MATERIALS/BOOK OBJECTS / H / Houédard, Dom Sylvester

Poesia 1949-1979, 1979

Item

Identifier: CC-16359-16709

Scope and Contents

The recording was made by Caetano Veloso who provides a musical interpretation of two De Campos poems. viz., dias dias dias from Poetamenos and o pulsar. The book was designed by Julio Plaza. The first concrete poems appeared as colored texts in 1953. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979