The earlist poem on this page of multiple small poems dated 220163 reads 'the creator's - primordial crime - scrubbed.' Another poem that Houedard produced on 160263 reads 'Bang sid gpd - bangbang said i - we are both a bit kinky.' In a concrete poetic version of this poem with the same date also held by the Sackner Archive entitled 'dialogue,' the ending has been changed to 'we are both a bit crazy.' -- Source of annotation: Marvin or Ruth Sackner.

This is a signed, unfolded, poster collaborative work by the artists that was published in Review OU No.38-39, 1971. -- Source of annotation: Marvin or Ruth Sackner.

The illustration is a reproduction of a water color by Gary Bukovnik and the poem about a tulip is by Smith. -- Source of annotation: Marvin or Ruth Sackner.

Written, distributed, and read at Bill Smith's 80th birthday celebration in The Century Club in New York, April 22, 1998. The Sackners attended this celebration. -- Source of annotation: Marvin or Ruth Sackner.

The twelve refers to 12 semi-realistic scenes of Stonehenge, Engand. -- Source of annotation: Marvin or Ruth Sackner.

Knowles suffers from autism. This book has two chapters: first chapter: Poems, most were used as lyrics for the opera Einstein on the Beach by Robert Wilson and Philip Glass; second chapter: Other Typings, mostly visual material. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collection of typographical exercises interspersed with notes on printing, typography and the private press. -- Source of annotation: Marvin or Ruth Sackner.

Theme is the railroad tracks near Sudbury, Canada where Barlow & curry boarded a freight train for a hobo trip across Canada. Also published as Canadian Small Change Association Vol.2 No.1. -- Source of annotation: Marvin or Ruth Sackner.

These poems that were first published in Vision Magazine, Bristol, England constitutes Carter's first book. She later wrote Children's books and books about cats. The cover design is an example of typewriter, concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This numbered work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.