Conventional poetry
Subject Source: Sackner Database
Found in 128 Collections and/or Records:
Brambu Drezi: Book Two; Manuscript Addendum, 1996
These loose sheets and pages consist of sketches and revisions of the 1st draft. -- Source of annotation: Marvin or Ruth Sackner.
Brava et Maestria, 1986
Bumper Small Press Bookfair / Bob Cobbing, editor, 1996
Catalogue 42 - Covent Garden Bookshop, 1968
Century Celebration, 1997
Contains a poem written by Smith in celebration of the Century Club's 150th birthday. The pamphlet details the program of the event. -- Source of annotation: Marvin or Ruth Sackner.
Chronique: Page 33 [Collection Ou No.5], 1974
Concrete Dream CCXV, 1974
Curtal Sails / Cheek, Cris, editor ; O'Huigin S ; Griffiths B ; Upton L ; Cobbing B ; Adler J ; Mayer P ; Fencott PC ; Pike J ; Burke H ; Cheek C ; Clews S., 1976
Includes a long poem dealing with the assassination of Salvatore Allende, leftist leaning leader of Chile. -- Source of annotation: Marvin or Ruth Sackner.
d-r-e-a-m-s / Armstrong, Keith., 1968
The Sackner Archive holds three typewriter poems by Armstrong. -- Source of annotation: Marvin or Ruth Sackner.
d.a. levy, a tribute, 1998
Demolicoes (ou poemas aritmeticos), 1988
Ekphrasis: the Greenway mix / St. Thomasino, Gregory Vincent., 1995
Entire Extant Work of Thales, 1964
Everything Written Exists, 2004
This ia s surreal journey to steal the corpse of William S. Burroughs. With autobiographical snippets of Nettelbeck's own times with Burroughs.tHIS -- Source of annotation: Marvin or Ruth Sackner.
Fisches Nachtgesang: "das Tiefste Deutsche Gedicht" Eine Interpretation, 1974
Manuscript is accompanied by a letter written in German by Brown dated June 11, 1976 explaining his method of interpreting Christian Morgenstern's "Fisches Nachtgesang." -- Source of annotation: Marvin or Ruth Sackner.
Fish-Sheet One, 1963
This anthology includes a poem by Edwin Morgan that Houedard retyped, 'Dogs Round A Tree.' -- Source of annotation: Marvin or Ruth Sackner.
Five Kwaidan in sleeve pages, 1986
The five poems that make up the text are based upon Japanese ghost stories told by Lafcadio Hearn in his book, "Kwaiden." The book has an unusual construction in that the sleeve pages are to be opened from their sides to reveal continuation of the poem printed on the recto sides of the pages. In the introduction, Young writes, "...I make use of the three-dimensional pages: pages with insides and outsides... I hope that each reader will bring his or her own senses of inside and outside to the reading of this book. I should, however, point out that the insides and outsides interact with each other in various ways, primarily by paralleling or working against each other. The inside-outside tension should not only create a dialectical progression, but constantly turn the book on on itself and out to the reader." -- Source of annotation: Marvin or Ruth Sackner.
