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Critical text

 Subject

Subject Source: Sackner Database

Found in 75 Collections and/or Records:

A Typographical Problem / Cobbing, Bob, editor ; Themerson S ; Gomringer E ; Mayer P., 1969

 Item — Box 386: [Barcode: 31858072461514]
Identifier: CC-17281-17642
Scope and Contents

Designated Writers Forum Pamphlet Three. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Apophatic Art, 1966

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-09702-9895
Scope and Contents

The number 9 is substituted for all the letters "n" of the words in this text. Curt Cloninger in his Master of Fine Arts in Studio Arts thesis wrote about (Maine College of Arts 2008) "Apophatic Art: Enacting Exhaustive Language / Exhausting Enacted Language." He defined Apophatic Writiing: Apophatic writing in the Christian tradition is a way of talking about God that seeks to properly revere him by not overly delimiting him. "Apophasis' is negation and "kataphasis' is affirmation. Since God is beyond all we can affirm about him, in order to more accurately describe him, we must balance our affirmations with reverent negations. Theologian Bruce Ellis Benson (2002) explains, "One affirms something but denies it, because to affirm it too strongly would be heretical and to deny it completely would also be heretical." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Belgium Fluxus, 1999

 Item — Box 307: [Barcode: 31858073143616]
Identifier: CC-39895-41862
Scope and Contents

The concept and design were done by Picasso Gaglione and the text by John Held Jr. The latter wrote, "The three rubberstamps in this boxed set are an ongoing tribute to the influence of Fluxus and its spirit of collaboration among international cultural workers." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Che Cos'e il Libroggetto, 1989

 Item — Box 342: [Barcode: 31858073143863]
Identifier: CC-23078-23515
Scope and Contents

Publication includes reproductions of A. Dupont's "Nathalie et Justine" and "L'Art en Ciel," and I. Isou and A. Dupont's "Concerto pour Oeil et Oreille" which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Chiaro Scuro, 1994

 Item — Box 615: [Barcode: 31858073143871]
Identifier: CC-07571-7716
Scope and Contents

This book reprints poems by Lora-Totino composed from 1970-1984. Garnier contributed an introduction. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Collected Poems Volume Thirteen: Voice Prints / Cobbing, Bob ; Mottram E ; Higgins D ; Solt ME ; Claire P ; Griffiths B ; Fencott PC ; Metcalfe H., 1993

 Item — Box 391: [Barcode: 31858072461555]
Identifier: CC-20537-20934
Scope and Contents

In his introduction, Eric Mottram writes that "Voice Prints is for voice performance, and looking or meditating performance...[The] poem-texts or poem-images continue Bob Cobbings's experimental achievements with many uses of words, word-orders and word designs." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993

[Curriculum Vitae and Publications], 2000

 Item — Box 616: [Barcode: 31858072461019]
Identifier: CC-33893-35565
Scope and Contents

Soroka presents his biography and a reprint "Visual Poetry in Ukrainian Literature," from the Ukrainian Review, 1998, Vol.45, No.1. There are also examples from early Ukrainian and European visual poetry and the recent works of Soroka. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

d.a. levy's " destructive writing" and the Instant of Communication, 1998

 Item
Identifier: CC-29886-31273
Scope and Contents

Swanberg (aka Markhardt) analyzes levy's poem, "Selected Writings" of 1967, "in which no images appear and in which the words and lines bleed with a superabundance of black mimeo ink ringed by a faint aura of oil...The poem's destructive writing is a putting to death of words. Its realm is without mastery, without time. It is the instant of a complete spending, in which words are sacrificed and the poem IS." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Dead Elvis: A Chronicle of a Cultural Obsession, 1991

 Item
Identifier: CC-30563-31996
Scope and Contents

Joni Mabe designed the cover and had several drawings reproduced in this book.The book and card from Greil Marcus to the Sackners reflects the gratitude of Marcus to the Sackners for making a connection between Mabe and him. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Ersichtlichkeiten: Internationale Visuelle Texte der 90er, 1996

 Item
Identifier: CC-28411-29654
Scope and Contents

After a brief introductory essay, Schmidt depicts the works of book artists from several countries by depicting a one or two black & white photographs of their work, one to a page. Marvin Sackner selected and contributed the photographs for the section on American book artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996