This is a polemic against Finlay's critics of his books on the staff of the Glasgow Herald. -- Source of annotation: Marvin or Ruth Sackner.

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.

Nicholas Zurbrugg's review of the poetry of Henri Chopin

Trasobares covered the cedar box with a wire lid that that opens like a gate to the nostalgic garden of Cornell's collage, "For Josephine," that is printed on the cover of the book, Joseph Cornell: Gifts of Desire by Dickran Tashjian. When the book is removed, the open gate reveals Cornell in his garden in Flushing, New York. In a direct reference to Cornell's assemblages, Trasobares selected an array of evocative objects for display in the box's small compartments." -- Source of annotation: Marvin or Ruth Sackner.

Several page of this book reproduce published and unpublished concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition by Lora-Totino consisted of 48 works, one depicted on each page. -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

Gérard-Georges Lemaire's review of the poetry of Henri Chopin

Ruth Sackner delivered this lecture at the opening of Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You." It focused on the relation of Mathew Abess, the curator of the exhibition and the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Castellano aka LUCA. -- Source of annotation: Marvin or Ruth Sackner.

The presentations at this conference related to magic. -- Source of annotation: Marvin or Ruth Sackner.

This invitation was published for the exhibition on the work of the British poet, Bob Cobbing. The exhibition was curated by Matthew Abess who was the scholar in residence at the Sackner Archive during the summer of 2006 between his sophomore and junior years at the University of Pennsylvania. He also wrote the catalogue essay and organized a symposium at the Kelly Writers House with Maggie O'Sullivan and cris cheek, compatriates of Bob Cobbing, participating in the event along with Charles Bernstein and Marvin Sackner. All the Cobbing material for the exhibition came from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition of works of Bob Cobbing selected from the Sackner Archive. The curator, Matthew Abess, SAS '08, was an intern in the Archive during the summer of 2006 when he researched the material for this exhibition. In addition to writing an in-depth catalogue essay, Matthew Abess organized recorded sound poetry readings on multiple head phones in the gallery, and planned a seminar with cris cheek and Maggie O'Sullivan at the Writers House. This is the second printing of the catalogue with the pages evenly printed throughout. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition of works of Bob Cobbing selected from the Sackner Archive. The curator, Matthew Abess, SAS '08, was an intern in the Archive during the summer of 2006 when he researched the material for this exhibition. In addition to writing an in-depth catalogue essay, Matthew Abess organized recorded sound poetry readings on multiple head phones in the gallery, and planned a seminar with cris cheek and Maggie O'Sullivan at the Writers House. Since the printing was faded in various parts of sentences on the last pages, Marvin Sackner pointed out that this should be considered a varient and was reminiscent of Cobbing's photoduplicator books. The catalogue was subsequently reprinted appropriately. -- Source of annotation: Marvin or Ruth Sackner.

The newspaper article is subtitled: "1. Teil: Subjektive Uberlegungen zur Verwenung vieler verschiedener Medien in der literarischen und kunstlerischen Praxis von heute / Von Ferdinand Kriwet."

In the duplicate of this work, the print is inscribed 'prove/ d'stampe." The same print in this folder was also printed with large white borders and signed in an edition of 100 copies; the latter is held by the Sackner Archive and catalogued under the artist's name. -- Source of annotation: Marvin or Ruth Sackner.