Critical text
Subject Source: Sackner Database
Found in 271 Collections and/or Records:
Metalinguagem, 1976
This is the 3rd edition. -- Source of annotation: Marvin or Ruth Sackner.
Múltiples, No. 2: La Eternidad es el Instante, 2000
This assembling was made to coincide with the exhibition "Muestra de libros de artista" at the 26th Internacional del Libro de Buenos Aires meeting. -- Source of annotation: Marvin or Ruth Sackner.
Nature Over Again: The Garden Art of Ian Hamilton Finlay, 2008
Notions and Notations / Cobbing, Bob; Furnival J; Houedard DS; Cox K; Claire K; Claire P; Williams E., 1979
Cobbing concludes in this essay, visual (concrete) poetry can be heard, smelt, has colours, vibrations whereas sound poetry dances, tastes, has shape. -- Source of annotation: Marvin or Ruth Sackner.
Novas Selected Writings [Edited and with an introduction by Antonio Sergio Bessa and Odile Cisneros; Forward by Doland Greene], 2007
Obras / Works 1976 - 2008, 2008
The Sackner Archive held the original drawing (donated to PAMM) for the photocopied print depicted from the drawing "P4R" in this catalogue on page 75. In an interview of Ferrari, it is mentioned that he has recently began to produce limited editioned high quality photocopies and heliograph copies of his original drawings. -- Source of annotation: Marvin or Ruth Sackner.
Oeuvres poetiques 1 1950-1968: Poemes choisis Proses Autres poemes, 2008
Lucien Wasselin contributed the preface to this book that consists of the reprinting of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.
Oeuvres poetiques 2 1968-1988, 2009
Martial Lengelle contributed the preface to this book that consisted of a review of different types of concrete and visual poetry. The second half of the book reprints several of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.
Oltre Il Libro Beyond Books, 2011
This is a profusely illustrated book that covers the intense activity of Boetti as both a typesetter and director of his works. -- Source of annotation: Marvin or Ruth Sackner.
[open letter], 1966
Origins of British Experimental Poetry / Cobbing, Bob; Gomringer E; Houedard DS; Finlay IH; Morgan E; deMelo e Castro EM; Garnier P; Chopin H; Novak L; Fahlstrom O; Cox K; Williams J; Edmonds T., 1973
Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.
Oyvind Fahlstrom, 1979
Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.
Oyvind Fahlstrom, 1980
This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.
Painting, 1996
Pavel Babenko was the father of the visual poet, Dmitry Babenko. -- Source of annotation: Marvin or Ruth Sackner.
