Critical text
Subject Source: Sackner Database
Found in 271 Collections and/or Records:
Piecemeal Part Eight, 1989
Concluding essay by Harry Polkinhorn on Guy Beining's eight books. -- Source of annotation: Marvin or Ruth Sackner.
Pittura Tecnologica / Poesia Visiva, 1975
Po-Ex: Textos Teoricos e Documentos da Poesia Experimental Portuguesa, 1979
A table of chronology of Portuguese concrete poetry included in this book indicates that it began in 1962 with publication of de Melo e Castro's book, "Ideogramas." The book reprints texts and correspondence from the early days of concrete poetry in Portugal. -- Source of annotation: Marvin or Ruth Sackner.
poesia visiva, 1974
Poesia Visiva, 1978
Poeta Visual, 1998
Victoria Combalia writes in her essay The Disturbing Objects of Joan Brossa that "certain themes on Brossa's work are easily recognized as 'Brossian': masks, letters of the alphabet, ordinary objects from daily life, playing cards...Perhaps the most important motif - or at the least the most utilized - by Brossa are letters of the alphabet. Brossa works with them as Cezanne did with his apples; he uses them in every way and in all places, as they are for him his dearest motif." In terms of his visual poetry, Combalia states that it "belongs to the long tradition of experimental poetry, in the line that goes from Mallarme to concrete poetry." -- Source of annotation: Marvin or Ruth Sackner.
Poetic License: Essays on Modernist and Postmodernist Lyric , 1990
poezien, 1971
This book depicts an sampling of De Vree's poetic styles. Two original typed pages held by the Sackner Archive are reproduced in this book, "mier mens" page 17 and "picnic" page 25. -- Source of annotation: Marvin or Ruth Sackner.
poezja konkretna / concrete poetry, 2000
Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.
Poor Old Tired Horse, No. 18, 1967
Bridget Riley did the drawings and layout, Ad Reinhardt the text and calligraphy. -- Source of annotation: Marvin or Ruth Sackner.
Ports of Entry: William S. Burroughs and the Arts , 1996
Postmodern Genres, 1988
Perloff states "It is the paradox of postmodern genre that the more radical the dissolution of traditional generic boundaries, the more important the concept of genericity becomes. "Hubert contributes an essay critically analyzing the book "Une Piece Ciruclaire" and Perloff one on Cage's "Roaratorio;" both books are held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Printing Poetry: A Workbook in Typographic Reification , 1980
Book describes the craft of letterpress printing. -- Source of annotation: Marvin or Ruth Sackner.