Scope and Contents

The microfiches depict Kriwet's work from 1960-1975. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Depicts different views of the nose. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book, edited by Bernard Magne, contains crossword puzzles and other puzzles about Paris, arranged by arrondisements, that were composed by Perec. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Work consists of Baroni's interpretation of a roulette game. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The box provides direction and props for a conceptual performance piece. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A chair reproduced on the cover has an appearance similar to the chairs made by the Lettrist artist, Alain Satie. The publication also may have been intended as the second issue of Mirror Magnetik Interval. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

2700 copies were bound in soft covers. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This a photocopied facsimile of a sketchbook. The original was in black and white rendered with ink. Laffoley notes that this facsimile is complete. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This a photocopied facsimile of a sketchbook. The original was in ink and color with a single collage. Laffoley notes that this facsimile is incomplete. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Peter H Barnett: Time Trap (Assembling Press, 1980) is composed of twelve 8 1/2" by 12" sheets folded and stapled in booklet form. A loop of thread connects the midpoint of each page. The work explores various dimensions of the book form through four series of diagrams accompanied by texts and instructions. These graphic-textual progressions migrate over the outer margin of adjacent pages, through the gutter on the inside of a folded sheet, through the gutter on the outside of a folded sheet, or across the gutter from one page to the next. Three of the graphic progressions are v-forms which narrow and elongate as they migrate. The fourth is a string of numbers 1-12. The texts associated with each progression express attitudes of waiting, disorientation and entrapment. The four progressions are all there at once, but never meet: only one progression can be pursued by the interactive reader at a time, hence the title. The accompanying introduction, "Open Structure for a...

Scope and Contents

This a photocopied facsimile of a sketchbook. The original was in ink and color with a extensive collaging. Laffoley notes that this facsimile is incomplete. -- Source of annotation: Marvin or Ruth Sackner.