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Documentation

 Subject

Subject Source: Sackner Database

Found in 182 Collections and/or Records:

3 One Act Plays, 1964

 Item — Box 544: [Barcode: 31858072461050]
Identifier: CC-20653-21055
Scope and Contents

This is d.a. levy's first published play and is called the "In Group." The book is stored with in a da levy box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

35 lines -5 minutes, 1964

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-09694-9887

A Human Document Page 85 [print], 1970

 Item
Identifier: CC-54458-989943
Scope and Contents

This is a reproduction of page 85 of Mallock's "A Human Document." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

A Rough Draft re: coLABORation, 1989

 Item — Box 608: [Barcode: 31858073143558]
Identifier: CC-16186-16529
Scope and Contents

Deals with the "mechanics" and results of collaboration between poets and writers through essays contributed by the participants. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

A Song of Ascent, 2014

 Item — Box 188: [Barcode: 31858072459583]
Identifier: CC-58667-10001903
Scope and Contents

Moss writes "I chose to do one of these 'step psalms', Psalm 134, in the actual form of steps. The short psalm reads: A song of Ascent / Behold, Bless God...I originally designed the letterforms I used in this work for a Ketubah. It was one in which I wanted to use the step motif...I suppose any spiritual journey is a kind of gradual, lifelong, step-like movement - ideally upward and forward but, alas, all too often with many downward and backward regressions." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2014

Archive of Retour au Japon: calligrames et fragments de journal intime, 1996

 Item
Identifier: CC-27683-28771
Scope and Contents

The book is a diary of Bory's trip to Japan along with 25 concrete and visual poems about his experience there. The poems are designated calligrammes by Bory. The sketches for the concrete poems in ink and graphite were subsequently printed from a computer with a laseror nk jet printed -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Artistamp Statement for Anna Banana's Artistamp News, 1992

 Item — Box 327: [Barcode: 31858072490943]
Identifier: CC-23624-24071
Scope and Contents

Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Ballet of the Speech Organs: On Bob Cobbing / Cobbing, Bob ; Smith, Steven Ross ; Toop D ; Cheek C ; Griffiths B ; Adler J ; Burwell P ; Hollo A ; Harwood L ; Nuttall J ; Rowan J ; Claire P ; bissett b ; Valoch J ; Ginsberg A ; Jandl E ; Nichol bp ; Dufrene F ; Kerouac J ; Beckett S ; Joyce J ; Chopin H ; Stein G ; DeVree P., 1998

 Item — Box 389: [Barcode: 31858072461530]
Identifier: CC-44993-47169
Scope and Contents Cobbing describes the first time he used words in a non-semantic way (1959). Now does no belive that there are any distinction beween music and art and poetry and dance. He indicates that he does not notate his sound poems because "every shape one sees on a page, conjures up a sound - any sound one hears conjures up a pattern, a mark on the page. Ross asks Cobbing about his sound scores [abstract markings] and how he reads these marks. He cites Norman McLaren who drew a sound track on film. McLaren stated that "a thin line will give you a high sound, a thicker line will give you a lower sound. If you make a little tiny point it'll give you a high 'ping,' if you make it a rounder blob, a biggr blob, it'll give you a 'boom'..." Cobbing indicates than when he makes marks on paper, he writes in sound. Cobbing tells about a painting he made that was exhibited in a library entitled "Integration alone is not enough" (1962/1963) in which Margaret Thatcher, then a local representative saw...
Dates: 1998

Battle of Midway, 1976

 Item — Box Artist Boxed Materials/Oversized: Finlay, Ian Hamilton: [Barcode: 31858072491461]
Identifier: CC-12106-12330
Scope and Contents

The bee symbol in this drawing suggests the sea (bee) and hive symbolizing the aircraft carriers. The text is written in old English characters. This drawing served as preparatory drawings for a subsequently realized print that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Bild/Material: Zum Gebrauch / Image/Material: To be used, 1990

 Item — Box 200: [Barcode: 31858072459708]
Identifier: CC-28044-29200
Scope and Contents

The booklet documents the Mail Art Exhibition curated by Olbrich, "1...2...3 Dimensionen / 1...2...3 dimensions." The theme of this show was to do a work with/in/around cubes measuring 21 x 21 x 21 cm. The exhibition catalogue of the latter is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Buzzwords: interviews with Buzz Spector, 2012

 Item
Identifier: CC-55291-9999047
Scope and Contents

The torn pages have one letter printed on a page that when flattened readS "An idea is not yet knowledge." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2012

Card to Ruth & Marvin Sackner, 1982

 Item — Box 316: [Barcode: 31858072490810]
Identifier: CC-59003-10002195
Scope and Contents

Carl Andre writes to Ruth and Marvin Sackner, "Thank you for forwarding the bibliography of your monumental collection. It was such a great pleasure to meet you & to see the great works & publications which you have gathered together. Thank you also for helping to make Ana's & my stay in Miami so delightful & rewarding." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Cavellini 1914-2014, 1995

 Item — Box 268: [Barcode: 31858072460599]
Identifier: CC-28828-30146
Scope and Contents

This rubber stamp provides a 7.5 cm diameter image that announces Cavellini's exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995