This calligraphic text is the maquette for the folded print in Portfolio Chopin. It is a linear extract of letters by Henri and Bernard to each other from 1962 - 1977. The two are identified by heavy printed letters, BH and HC. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Brian Lane and Trevor Wells. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of works using altered grainy photographs of nude women, comic strips, drawings, text, and the concept of "ejercicios para una escritura no pobre," or "exercises for non-poor writing." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds three artist books by Chancho from 1974-1980 that are depicted in a group of books on pages 68-69. -- Source of annotation: Marvin or Ruth Sackner.

The prints are reproductions of typed pages on varied colored papers. The Sackner Archive holds the original typing of Ilse Garnier's "coRRida" that is reproduced as a print in this work. For this copy, someone made a custom designed folder and slipcase. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published as reprint of the original 1973 book and consists solely of photographs of Carl Andre's home town of Quincy, e.g., monuments, stone quarries, discarded railway tracks, etc. There is no text. -- Source of annotation: Marvin or Ruth Sackner.

Of this group of poets, Calleja's contributions were the only visual poems. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of letters in reproduction from d.a. levy to his friends. The originals were handwritten, typed, and mimeographed. In addition, several of levy's abstract expressionistic paintings are reproduced in color. -- Source of annotation: Marvin or Ruth Sackner.

Badges worn by the Sackners as participants in the Getty symposium. -- Source of annotation: Marvin or Ruth Sackner.

This book lists women's names in alphabetical order according to day and time on a daily basis over a year to symbolize the average annual estimate of reported forcible rapes. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was rejected for the cover design by Hansjorg Mayer because it was too complcated for a book cover. Thepoem reads "I had come about art - after only one readingi was able to tell her, - it was a Journal of secret scribing and hiding a work of fiction - interspersed wit used art - read the toge story - there are certain scenes and feelings" -- Source of annotation: Marvin or Ruth Sackner.

This is a 1/2 page, eight line, handwritten letter signed by levy of a poem submitted by Dante Thomas for a d.a. levy publication.It was priced by Captain Ahab's Rare Books at $1,250. -- Source of annotation: Marvin or Ruth Sackner.

The texts and covers were done by Jean-Claude Gagnon. Corrections and page placements were written by Jocelyn St-Pierre. -- Source of annotation: Marvin or Ruth Sackner. The top of the box translates the French title to "Where Great Spirits Gather..." (English) and "Dove i spiriti grandi sincontranno" (Italian).