This detail of a large painting consists of rubberstampings of the names of contemporary artists and poets utilizing concrete and visual poetry or language in their visual works. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this pamphlet reproduce the covers of all the issues in this series. The Sackner Archive holds most if not all of these pamphlets. -- Source of annotation: Marvin or Ruth Sackner.

Book object which relates to Alchemy can be made into a number of different shapes; current shape is a pyramid. -- Source of annotation: Marvin or Ruth Sackner.

The invitation is printed on yellow paper and crumpled into the box. The designer is Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Gabriel Borda. -- Source of annotation: Marvin or Ruth Sackner.

This book compiles a series of interviews of Isou by Devaux that took place between November 1991 and January 1992. -- Source of annotation: Marvin or Ruth Sackner.

These prints are based upon a typing done in 1993 which were photocopied onto a transparent sheet of paper and then laid over the original in five different ways creating five works "with dense patterns and moire effects." -- Source of annotation: Marvin or Ruth Sackner.

Book consists of a visual/verbal collaboration between Crozier and his student, Robert Kelly. -- Source of annotation: Marvin or Ruth Sackner.

Prof. Bertozzi, "il premio inista de poesia," was complimented for the presentation of his second edition work on the international poetic avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

This is a November internet update of the Writers House calendar for October featuring the seminar "Suddenly Everyone Began Reading Aloud" relating to the exhibition at the Van Pelt Library titled "Make Perhaps This Out Sense Of Can You." Photographs are included of the participants at the seminar. -- Source of annotation: Marvin or Ruth Sackner.

Rifas indicates on the verso of the label, "This is an offshoot of a 1990's environmental piece called 'Fragile, Damaged, Extinct.' The word 'extinct,' in declining size letters, is etched into one of the open scissor blades. -- Source of annotation: Marvin or Ruth Sackner.

Edited by A.D. Coleman. Each page depicts an out-of-focus, age deteriorated, photographic portrait taken with a polaroid camera. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum folder number nine. Poems include "Worm," "Typestract," "Grin," "Are Your Children Safe in the Sea," and "Spontaneous Appealinair." The earliest poem, "Worm" was initially written in 1954 and then revised in 1964. Reprints several poems published in "Eyerun" 1966, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Designated writers forum folder number nine. Poems include "Worm," "Typestract," "Grin," "Are Your Children Safe in the Sea," and "Spontaneous Appealinair." The earliest poem, "Worm" was initially written in 1954 and then revised in 1964. Reprints several poems published in "Eyerun" 1966, also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.