Scope and Contents This book is a first edition; it was reprinted in 1998. Wikepedia: The book is a roman a clef, meaning that the fictional characters are thinly-disguised actual persons. a, A Novel is a 1968 book by the American artist Andy Warhol (1928--1987) published by Grove Press. It is a nearly word-for-word transcription of tapes recorded by Warhol and Ondine (Robert Olivo, a Warhol superstar) over a two-year period in 1965-1967. a, A Novel, Warhol's knowing response to James Joyce's Ulysses, was intended as an uninterrupted twenty-four hours in the life of Ondine, an actor who was famous mostly as a Factory fixture, Warhol film Superstar and devoted amphetamine user.[1] A taped conversation between Warhol and Ondine, the book was actually recorded over a few separate days, during a two-year period. The book is a verbatim printing of the typed manuscripts and contains every typo, abbreviation and inconsistency that the typists produced from the twenty-four tapes (each chapter is named for...

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A note in Fluxus Codex indicates that this work was included in several Fluxus assemblage boxes and also sold separately. -- Source of annotation: Marvin or Ruth Sackner.

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Front and back covers were drawn by Allen Ginsberg. -- Source of annotation: Marvin or Ruth Sackner.

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levy's handwritten letter to Jacob Leed on verso page 3 mentions waiting for a poem by Alan Ginsberg and putting out Egyptian Stroboscope. The Smithbox is an experimental non-fictional piece replete with run-on as well as obscene words. it includes a minimalist poem by Bob Barker and a visuonary line drawing. -- Source of annotation: Marvin or Ruth Sackner.

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The pages are blue architectural papers and contain, in addition to the hand printed story, architectural drawings, geometric figures, interior spaces, figurative drawings blended in a surrealistic manner. -- Source of annotation: Marvin or Ruth Sackner.

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This is the prototype novel of psychosexual intrigue and sexual abuse. The letter from Jan McLaughlin to the Sackners thanks them for hiring and firing her from work as assistant to the curator of the Archive so that she could produce something of substance in her life as writer, poet and performer in New York. -- Source of annotation: Marvin or Ruth Sackner.

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This is the second edition of the book first published earlier in the year. It consists of interviews devised with the cut-up technique. -- Source of annotation: Marvin or Ruth Sackner.

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Three wooden objects and a thimble are placed upright in a bed of beige colored gravel like a dessert landscape. The text is rubberstamped on paper inside the lid and reads "I am the grain of truth...I hold the vessels of history and shatter them at Inside the lid is a small coffin-like wooden box; a black box on the outside has a metal capital "F." This sculpture symbolizes the puppeteer, a founder of an imaginary civilization, the Hegamons, who is described on p. 17 of the book in the title. -- Source of annotation: Marvin or Ruth Sackner.

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The dust jacket is chipped and torn in several places. However the black cloth cover and the text and images are in fine condition. The prose and poems are printed in back to back reversed sections for each of the two novels. The novel "For Jesus Lunatick" is printed without punctuations in a highly experimental layout including several numbered blank pages. The latter are for numbered illustrations placed in the center section that the reader is requested to cut and paste to the respective page. "Andy "is punctuated and layed out experimentally with some pages concrete poetic in appearance. It, too, has several pages that are numbered and blank with exception of a single number placed at different locations to receive the illustrations from the cutttings in the center section. -- Source of annotation: Marvin or Ruth Sackner.