Artist's name is engraved under ring magnet in box. -- Source of annotation: Marvin or Ruth Sackner.

The handwritten statement on cardboard collaged to the back of the frame reads, The books are killed - by shooting - by burning - by drowning - by cutting - by gluing - painting white, or red, or black, etc. -- Source of annotation: Marvin or Ruth Sackner.

The black toothbrush is printed "Keep smiling (Ben)" in the artist's characteristic, white calligraphy. The box also adds "embrasse moi (Ben)." -- Source of annotation: Marvin or Ruth Sackner.

Each card is printed on both sides with a single word selected by Hendricks "in accordance with no fixed laws. Some are likes, others are antitheses. often the pairs are reversible, sometimes not." The author suggests playing with the cards like building blocks to make whatever individual creation is desired. "Language Box is an invitation to the reader to involve himself in this process of creative synthesis. It is an attempt to break out of, not to break down, traditional habits and inhibitions in order to arrive at a richer, fresher sense of language and the world." -- Source of annotation: Marvin or Ruth Sackner.

The printable iron sheet in this piece cannot be magnetised. -- Source of annotation: Marvin or Ruth Sackner.

This edition of the book is a reprinting from a book published in 1962-1963; it is the ordinary edition - the other 85 copies contained signed original work by Ben. -- Source of annotation: Marvin or Ruth Sackner.

The keys presumably unlock the door of the museum. The colophon reads, ...is a box of mauricio nannuccci (1971) published by adlers editions in 30 copies signed and numbered in malmo sweden autumn 1983 -- Source of annotation: Marvin or Ruth Sackner.

The photogaphs are profiles in solid black and white of political figures. -- Source of annotation: Marvin or Ruth Sackner.

Cards are name dropping "Tiffanys", "Museum of Modern Art", "Nabisco", "George Maciunas", "Marcel Ducamp" and "The Sackner Archive of Concrete and Visual Poetry". -- Source of annotation: Marvin or Ruth Sackner.

The book was edited by Piotr Rypson. -- Source of annotation: Marvin or Ruth Sackner.

Although this catalogue was published in Monte Carlo, the non-artistic events constituting the festival took place all over the world. -- Source of annotation: Marvin or Ruth Sackner.

This duplicates the correspondence for the exhibition archive and includes letters and cards by Arakawa, George Brecht, Tenny Duchamp, Ovind Fahlstrom, Ray Johnson, Allan Kaprow, Alison Knowles, Ron Kitaj, Gianni Simonetti, and Wolf Vostell. There are drawings by Baruchello, Mary Bauermeister, George Brecht, and James Nutt, and a collage by Granni Simonetti that deals with plans for assembling the found objects to be placed in a plexiglas box by museum personnel. The box is also accompanied by the catalogue of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Consists of Ay-O's typical Fluxus works, e.g., objects with different textures that invite the viewer to put a finger into. -- Source of annotation: Marvin or Ruth Sackner.