The blue, plastic wrist strap contains a key. The collage consists of six strips of paper with texts and images that give techniques for swimming. -- Source of annotation: Marvin or Ruth Sackner.

In the colophon, Gallo mentions that the production of this book was made possible in part due to a grant from the Sackner Archive. The binding was done by Daniel Kelm. Each page has a single poem that was printed letterpress or from plates generated thru Alphatype or Postscript applications. The Archive for this book is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The tube is collaged with paper that contains old German text. It is burnt at the edges. Two corks seal the ends. The rod is collaged with letraset letters and is wrapped in tissue paper that is printed with wishes for a Happy New Year in an unidentifiable language. It is tied at both ends with string. -- Source of annotation: Marvin or Ruth Sackner.

A polyvinyl fragment from a found bag was utilized as the stencil for the print. -- Source of annotation: Marvin or Ruth Sackner.

Five drawings were made by Cepl and 4 drawings and a collage by Broel. All of the works are unique in this edition of 30. Broel's drawings were superimposed on sheets of found handwriting by others while Cepl's are in his own calligraphy. -- Source of annotation: Marvin or Ruth Sackner.

Cutts lists the sources for the minimalist, colored, poems in this book, e.g., from Alan Halsey's catalogue, perhaps from Boudin, untraceable quotation from Stephane Mallarme, etc. For example, one poem reads, "the only texts I ever - wrote were the titles." -- Source of annotation: Marvin or Ruth Sackner.

This issue contains a photograph that is reprinted and reproduced in (Uh..One & Uh..Two) Random Sightings. The cover photograph is by Alan Horvath. Reprints numerous collages from Serif (volume 8, number 4, 1972, Marijuana Newsletter #2 (1965), The Day is a Prayer they Can't Understand (1967), Cleveland Undercovers (1966), All Gods Must Learn to Kill (1967). Also reprints Farewell the Floating Cunt (1964) in its entirety. -- Source of annotation: Marvin or Ruth Sackner.

The title sentence first was printed in the Kilburn Times and was also the title of an exhibition curated by Mathew Abess at the University of Pennsylvania,. -- Source of annotation: Marvin or Ruth Sackner.