Scope and Contents This collection contains the papers and musical works of renowned University of Iowa composer, conductor and musician William Hibbard. Series 1 of the collection - the largest portion - consists of musical scores and related materials (such as drafts and notes) for most of Hibbard's oeuvre. Many of the scores are original manuscripts, but also included are edited photocopies, performance copies, bound and published versions. Some scores are full, while others are parts for individual instruments. Series 2 consists of Hibbard's personal papers included are correspondence, programs and reviews, handwritten jottings from Hibbard on a number of different musical concepts and patterns, and class materials, that is, materials relating to classes taught by Hibbard at the University of Iowa. [Class Materials is distinct from Classwork, which refers to materials drawn from Hibbard's own student life.] Series 3 is comprised entirely of audio recordings: 5, 7, and...

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The poem features a music score by Robert Schumann with a couple kissing. -- Source of annotation: Marvin or Ruth Sackner.

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Arias-Misson describes his current activities with ZAJ and explains his music score poem "La Solitude Sonore." -- Source of annotation: Marvin or Ruth Sackner.

Abstract

This collection contains sheet music, brochures, concert announcements, photos, digital files, and various correspondence pertaining to Red Cedar Chamber Music program .

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Exhibition was curated by Peter Day. -- Source of annotation: Marvin or Ruth Sackner.

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Book consists of an avant garde musical score; the tape cassette is a recording of its first performance. -- Source of annotation: Marvin or Ruth Sackner.

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A red, triangular road sign in printed over two staves of music by Satie with the expression "Le colonel est la!" -- Source of annotation: Marvin or Ruth Sackner.