The prints, which are photographic reproductions, depict Cavellini being crucified. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Mirella Bendini who also provided an introductory essay that was translated into English. Giorgio Zanchetti contributed a critical text about Lora-Totino's work. Mondi di parola, a sculpture by lora-totino, is photographically reproduced in this book. It is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a tour de force of mainly language and performance poetry. Frazer utilizes the word, "glossolalia" in a number of the poems. This is defined as strings of meaningless syllables made up of sounds taken from those familiar to the speaker and put together more or less haphazardly .... Glossolalia is language-like because the speaker unconsciously wants it to be language-like. Yet in spite of superficial similarities, glossolalia fundamentally is not language. -- Source of annotation: Marvin or Ruth Sackner.

The handwritten statement on cardboard collaged to the back of the frame reads, The books are killed - by shooting - by burning - by drowning - by cutting - by gluing - painting white, or red, or black, etc. -- Source of annotation: Marvin or Ruth Sackner.

Minor damage from paper clip imression at left upper edge along with a tear on left vertical edge. -- Source of annotation: Marvin or Ruth Sackner.

Tape Cassette is a program broadcasted on Italian National Radio 1 on April 3, 1981. -- Source of annotation: Marvin or Ruth Sackner.

This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.

The object in the box is a bunch of plastic grapes mounted on plastic grass. The cover print on the box depicts colored leaves. -- Source of annotation: Marvin or Ruth Sackner.

This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.

This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.

The full title is "last full word in small type on each of 1st 10 pp of webster.' -- Source of annotation: Marvin or Ruth Sackner.

This is the lay-out for a poster announcing a poetry reading that was curry's first. curry and essary's contributions to the poster were photocopied fragments and Dudley's an ink drawing. -- Source of annotation: Marvin or Ruth Sackner.

Flyer promoting Jean-Paul Curtay's performance of Sound Body Poetry. Held in Venice, California. Admission was free.

Andrews related a performance that he gave in an art gallery that involved the playing of two 1 1/2 hour simultaneous tapes, various books and sequences on tables, couple dozen, separate, written pieces on wall and a 12' x 7' wall and adjacent 9' x 12' floor taken up by 150 poem cards. He also recommends Victor Ehlich's book "Russian Formalism" for reading as he believes it is relevant to Coolidge's work. -- Source of annotation: Marvin or Ruth Sackner.

This letter provides an explanation of Adler's "Scenario," a prose piece which is an allegorical interpretation of his poem, "Alphabet Music." The manuscript of "Scenario" was attached to the letter. -- Source of annotation: Marvin or Ruth Sackner.