Consists of Ay-O's typical Fluxus works, e.g., objects with different textures that invite the viewer to put a finger into. -- Source of annotation: Marvin or Ruth Sackner.

This photocollage was used for OU 23/24, 1965. -- Source of annotation: Marvin or Ruth Sackner.

This book deals mostly with documentation of De Barros' performances. -- Source of annotation: Marvin or Ruth Sackner.

This is a compendium of previously published conventional, sound and concrete poems as well as critical texts which appear to have been put together for a performance. -- Source of annotation: Marvin or Ruth Sackner.

This book illustrates and describes the monochromatique color themed events organized and produced by Hubaut in various towns in France and Japan. Hubaut writes, "I have chosen to develop my current practice on colour from the three founding elements in modern art - the monochrome, the ready-made and the gesture. I construct my monchrome 'sites' from given or borrowed objects donated by a public often isolated from the art melieu. This is a tactic to reach a wider audience." Hubaut designates himself a "color guerilla." -- Source of annotation: Marvin or Ruth Sackner.

The text consists of Knowles' radio plays. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

The signed edition has a white cover. -- Source of annotation: Marvin or Ruth Sackner.

This work was featured in an exhibition curated by Fernando Aguiar, "Imaginaros Da Ruptura = Poeticas Visualis" held in Douro e Vale do Coa, Portugal. The surfaces of the prints in this book are on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.

This a cut-up from the text of Chris Cheeks presntation at the third sub-voicive colloquium. -- Source of annotation: Marvin or Ruth Sackner.

This work is a working copy for a performance which utilizes previous published poems by Cobbing with added sound poems. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Supplement No.1 of the 4th series of Altri Termini. It is a score for a "sound novel" (rather than a sound poem) first performed in 1972. The drawing adjacent to Fontana's signature is an abstract depiction of musical notation. -- Source of annotation: Marvin or Ruth Sackner.