These three prints depict the individual figures in the print Apollo and Daphne: Design for a Wall, 1992. Apollo is depicted in a red symbolizing strength whereas Daphne is printed in camouflaged green indicating uncertainty of pastoral serenity. Laurus depicts a silhouette of a green tree. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a boxed set of nine papercard model gliders to be cut from the prints. Each glider has been embellished with a military decal of the countries that fought World War II along with the name of a garden plant that has been printed on the rear wing. This was published in an unlimited edition. William Allen comments: Outer box made by the cult small press publisher Brian Lane. Box contains bag of elastic bands, nine silkscreen prints of different Arcadian glider kits and an instruction booklet. "Each airplane is embellished with a military decal and the name of an appropriate common garden feature has been printed on the rear wing. When the airplanes have been constructed, they may either be displayed together as a squadron or, if you have access to a garden, they should be carefully placed in the relevant spot to act as markers or name tags and a pleasing focus of interest for when the flowers are out of season." -- Source of annotation: Marvin or Ruth Sackner.

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.

This is a preparatory study for a poster announcing the first festival at Ingatestone, England that was published by South Street Publications in 1969. -- Source of annotation: Marvin or Ruth Sackner.

This is an intense political/anti-religious poem decrying extremists in the world that Chopin lists in the poem and characterized them by the statement, "IT IS FORBIDDEN to be the objects of imbeciles: catholicsprotestantsbuddhistmaoiststalinistsocialists...whohaveall agreed to destroy us." -- Source of annotation: Marvin or Ruth Sackner.

The collage consist of 9 images on a square grid. Except for the center image solely of a warning label on smoking, the other images consist of a label warning on the dangers of suffocation with plastic bags. Four of the latter have fragments of the face of a painted cartoon animal collaged to the labels, a metaphor for stupidity. The other four have a cellophane bag containing cigarettes that spell NOTI = Not I. The collage is one of a series of 8 Unrelated Pieces for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Christian Barnard was the South African cardiac surgeon who performed the world's first successful heart transplant. -- Source of annotation: Marvin or Ruth Sackner.

The poem, on folded white paper shaped like an arrow, contains the message printed in red, "Beat the Reds with the White Wedge: Correspond!" This slogan has been modified from El Lissitzky's revolutionary poster, "Beat the Whites with the Red Wedge." It refers to an appeal to write in his support regarding his contemporaneous tax dispute. It does not appear to be referenced in the Finlay bibliographies. -- Source of annotation: Marvin or Ruth Sackner.

The generic letter accompanying this book is directed to a reviewer to read this promotional copy. -- Source of annotation: Marvin or Ruth Sackner.

The poem on the French tricolor flag reads, "Liberty for Some; Equality for Some; Fraternity for Some" rather than "for All." -- Source of annotation: Marvin or Ruth Sackner.

The image depicts icons of an erect penis formed by a rolled dollar bill and testes by two half dollar coins. -- Source of annotation: Marvin or Ruth Sackner.

Image taken from a postcard depicting Adolf Hitler in 1936. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a stylized broken arm with a fractured Swatstika arm band with the hand aflame. The smoke from the fire consists of a political address in 1993 set in bold type by Helmut Kohl, the leader of Germany dealing with solving the world's problems with money. This overlays a text with fainter type dealing with protection of the environment. -- Source of annotation: Marvin or Ruth Sackner.