This is the deluxe edition of this periodical. The typed poem is a repetition of the year, '84' with overtyping. The ordinary edition is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Periodical filled with poetry and political art. There were a few creators mentioned on the cover who did not have agent links: C. Pelieu, J. Pomy-Vega, N. Rubington, H. Smith, U. Gwerder, J. Rubin, C. Jefferson, T. Wright.

The mainfesto deals with profanity. -- Source of annotation: Marvin or Ruth Sackner.

Image adapted from "the Mistress From Mars," daily newspaper Novosti, Zagreb 1935. -- Source of annotation: Marvin or Ruth Sackner.

The prints with the same title are also held by the Sackner Archive. This book describes the inequities of women working in Australia. The book is documented with photographs and the photographs are also embellished with red lettering on the photograph. -- Source of annotation: Marvin or Ruth Sackner.

The image is a small man in a top hat (mad hatter) holding a sign that states "Just when did we go through the looking glass." -- Source of annotation: Marvin or Ruth Sackner.

Finlay combines line images of airplanes with analogies to butterflies and a cherry blossom. This work consists of a folded sheet of light blue, blank tissue paper containing a second, slightly smaller, folded sheet of white tissue paper with line drawings of aeroplanes and text (in blue). -- Source of annotation: Marvin or Ruth Sackner.

This prose poem deals with levy resigned to turning himself in to serve his sentence for the obscenity charge. -- Source of annotation: Marvin or Ruth Sackner.

Bouabre, visionary, priest and great purveyor of universal truths, lives and works in Abidjan, Ivory Coast, Africa. At daybreak, Thursday, March 11, 1948, Bruly Bouabre witnessed a celestial vision of seven suns in a blue sky. This vision lead him to become a prophet, teaching divine truths communicated to him in his dreams. He sends his thoughts out to the world in a minimal postcard-like format, reflecting one of the most elemental forms of mass communication. A virtual brick of his unbound images finds refuge in the fabric-covered blue box, the metaphoric reliquary for his spiritual missives. The weight and density of the book is a visible statement on the solidity and strength of his creed, of his daily art making ritual, and of his absolutely infinite reflections on humanity, society and the universe. -- Source of annotation: Marvin or Ruth Sackner.

This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.