Repetitious text
Subject Source: Sackner Database
Found in 130 Collections and/or Records:
3rd Exercise on Guillaume Apollinaire, Le Mel-Amie , 1968
4th Exercise on Guillaume Apollinaire, Le Mel-Amie , 1968
5th Exercise on Guillaume Apollinaire, Le Mel-Amie , 1968
40 + Product of Holland, 1968
The poem with gold colored, repetitive words is printed in the shape of a tondo. -- Source of annotation: Marvin or Ruth Sackner.
A 2, 1995
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
a mandala to free the spirit, 1967
A Meditation, 1986
The text is taken from The Song of Songs 4:6. The perforations on three of the pages are pairs of Hebrew 'yod's' in a large typeface.' The text is based upon the phrase, "In the heat of the day {life}, God is a protective shadow." -- Source of annotation: Marvin or Ruth Sackner.
A Rose Is a Rose Is a Rose: Gertrude Jekyll, 1978
Gertrude Jekyll was a leading designer of gardens. The rose of Gertrude Stein's well known poem can also be identified as the tip of the old-fashioned garden watering can. -- Source of annotation: Marvin or Ruth Sackner.
A Throw of Dice Will Never Do Away with Chance, 2003
For this piece that is based on a die, Tom Phillips lettered the text in varying numbered circles. the lettering is in the style of his text based wall sculptures where each letter is linked to adjacent ones. The text is the title of the poem "Un Coup de Des Jamais Abolira le Hazard" by Stephane Mallarme. Phillips writes that, " the first line of the foundation poem of chance procedures (and concrete poetry in general), outlines another dilemma which I translate as 'A throw of dice will never do away with chance'. Each dot on these giant dice incorporates the line and through the mysteries arising from the solid geometry of a transparent cube each "throw" gives rise to new configurations as chance plays its second role. Looked at from the sides, from the corners and from above, the cube's symmetry produces illusions and paradoxes of perception, hints of mirrors and fractures appropriate to each of these statements." -- Source of annotation: Marvin or Ruth Sackner.
Antibody Origins, 1976
Are Your Children Safe? In the Sea? / Cobbing, Bob., July 1998
This work was published as a triptych of prints in 1964 and then as broadsides in Eyearun in 1966. Cobbing stated on title page that first publication was 1966 but the Sackner Archive holds the prints published in 1964. -- Source of annotation: Marvin or Ruth Sackner.
Arlington Two , 1967
Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.
Ashes Bear Witness to the Burning, 1982
Bad Breath Babble, 1991
Bladerunner, 1998
The word "bladerunner" is handwritten repeatedly on each page. The arrangement of this word from page to page differs slightly or greatly. The loose sheet provides instructions for opening the box by sliding the front protruding piece to the left. -- Source of annotation: Marvin or Ruth Sackner.
