On the verso of thIs numbered copy, the signature of the previous owner, Bob Cobbing appears. -- Source of annotation: Marvin or Ruth Sackner.

Includes "Make Something Differently," "The erotic is pleasure seeking its coherence," "Towards a new alphabet," and other photocopied work, including a message from Miekal And.

Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.

In his introduction, Higgins defines a modular poem "in which the principle structural factor is the repetion, usually in different contexts, of one of more elements of th text. Each element becomes a module which may be expanded, compressed or otherwise altered. Or not." The book is illustrated with photographs mainly of old machinery by Eugene Williams. -- Source of annotation: Marvin or Ruth Sackner.

Includes several reprinted dictionary definitions of the words, "Concrete, Essay, Poem, and Poets." The back cover depicts a portrait of Wally Depew in Ben Day dots. -- Source of annotation: Marvin or Ruth Sackner.

This book provides s sampling of Cobbing's previously published poetry. -- Source of annotation: Marvin or Ruth Sackner.

The poem with red colored, repetitive words of the title is printed in a large typeface in a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

Object is inscribed with the Italian word "piove" (it rains) along with several ditto marks. -- Source of annotation: Marvin or Ruth Sackner.

Consists of four computer portraits in red and black including one of Doctorovich himself composed with the word paralengua in various typefaces. -- Source of annotation: Marvin or Ruth Sackner.

The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.

The suite of 26 collages with the first title [Paste Book Number One] are stored in a single folder. -- Source of annotation: Marvin or Ruth Sackner.

This trade anthology of Finlay's concrete poetry is printed with several different inks on paper with several different colors. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. The title refers to a license plate of an automobile which has been printed on each of three pages four times in different typefaces. The last page depicts three hand formed letter "o's." -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. The theme of this poem is the eating of melons. -- Source of annotation: Marvin or Ruth Sackner.

Edited by d.a.levy. This booklet consists of a concrete poem which employs Scottish words that deal with the docking maneuver for a ship in harbor. -- Source of annotation: Marvin or Ruth Sackner.