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Sound poetry

 Subject

Subject Source: Sackner Database

Found in 402 Collections and/or Records:

ABC in Sound: Sound Poems 4th Ed / Cobbing, Bob., 1986

 Item — Box 395: [Barcode: 31858072461597]
Identifier: CC-17534-17900
Scope and Contents

Each page contains a poem for a letter of the alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Ana 1 - 5 / Cobbing, Bob., 1972

 Item — Box 391: [Barcode: 31858072461555]
Identifier: CC-17516-17882
Scope and Contents

This book represents a performance copy of "Spearhead" (2nd & 3rd editions held by Sackner Archive) onto which is added written and typed notes. There are five performances of "Ana." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

And Avocado / Cobbing, Bob., 1977

 Item — Box 387: [Barcode: 31858072461522]
Identifier: CC-17501-17867
Scope and Contents

Designated minibooks number ten. The text is an alphabetical list of plants each referring to its scientific name. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Antologia Polipoetica, 1986

 Item — Box 612: [Barcode: 31858072460987]
Identifier: CC-49193-70234
Scope and Contents

The whole object includes a cassette tape and box, but these have been separated from the book.

Dates: 1986

Ballet of the Speech Organs: On Bob Cobbing / Cobbing, Bob ; Smith, Steven Ross ; Toop D ; Cheek C ; Griffiths B ; Adler J ; Burwell P ; Hollo A ; Harwood L ; Nuttall J ; Rowan J ; Claire P ; bissett b ; Valoch J ; Ginsberg A ; Jandl E ; Nichol bp ; Dufrene F ; Kerouac J ; Beckett S ; Joyce J ; Chopin H ; Stein G ; DeVree P., 1998

 Item — Box 389: [Barcode: 31858072461530]
Identifier: CC-44993-47169
Scope and Contents Cobbing describes the first time he used words in a non-semantic way (1959). Now does no belive that there are any distinction beween music and art and poetry and dance. He indicates that he does not notate his sound poems because "every shape one sees on a page, conjures up a sound - any sound one hears conjures up a pattern, a mark on the page. Ross asks Cobbing about his sound scores [abstract markings] and how he reads these marks. He cites Norman McLaren who drew a sound track on film. McLaren stated that "a thin line will give you a high sound, a thicker line will give you a lower sound. If you make a little tiny point it'll give you a high 'ping,' if you make it a rounder blob, a biggr blob, it'll give you a 'boom'..." Cobbing indicates than when he makes marks on paper, he writes in sound. Cobbing tells about a painting he made that was exhibited in a library entitled "Integration alone is not enough" (1962/1963) in which Margaret Thatcher, then a local representative saw...
Dates: 1998