Bird print signed by "H. Iacomelli". Speech bubbles have been added next to the birds.

Letter picture, text on face overlaid on blank word puzzle titled "Fur Sie Ratsel-Turnier"

The line drawing is located near the title page. -- Source of annotation: Marvin or Ruth Sackner.

In the image it appears like people are sharing bread. According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

The inside of the box for this exhibition has four compartments, one for representation of each of the participating artists. Kay Rosen's are concrete poetic-like prints on stiff cardboard. Fiona Rae provides a thick, impasto, acrylic, abstract expressionist painting that is numbered 227/500. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition of this text by the authors of "The Medium is the Massage." It brings together all forms of conflict, political, racial, and religious, into meaningful perspective. It offers ideas and an understanding essential to the "electric age." The ideas presented in this book seem to forecast the information age and even the advent of the Internet. The text is combined with multiple black and white images and includes many relevant quotations in the margins from James Joyce's "Finnagan's Wake." -- Source of annotation: Marvin or Ruth Sackner.

Designated Chapbooks No.15. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a detail of a painting entitled "Non-Sectarian Crucifixion," a work held by the Sackner Archive. This numbered work is also designated as Card 13 from "Stories from the Flats." -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.