Visual art
Subject Source: Sackner Database
Found in 588 Collections and/or Records:
Images in Absentia, 2002
The images are negative images of small objects produced with frottage. -- Source of annotation: Marvin or Ruth Sackner.
Imagine the Goddess / Lijn, Liliane., 1987
In Parenthesis, 1992
The title is taken from a phrase in Samuel Beckett's play, Waiting for Godot. -- Source of annotation: Marvin or Ruth Sackner.
in principio erat, 1971
The catalogue consists of photographs of pairs of hands and multiple pairs of hands, at times with accompanying text. -- Source of annotation: Marvin or Ruth Sackner.
In the Studio, 1997
This is an assortment of works that Collins used in her contributions to mail art periodicals and projects. A fair amount of the work deals with contradictions. -- Source of annotation: Marvin or Ruth Sackner.
[Indented Hollow Squares], 1990
Installation: manadon, archery ground c.1908, 1973
Installierungen, 1993
This exhibition consisted mostly of images depicting objects. -- Source of annotation: Marvin or Ruth Sackner.
International Salon Des Artistamps, 1992
Advertises a gallery taking place from July 8th-25th, 1992, at Gallery Fifty-Six in Vancouver. Anna Banana has penned a note to Marvin and Ruth Sackner in the blank margins, informing them of their subscription to IAP, ASN, and Banana Post. She expresses her wish for a 2nd IAP edition before Christmas, but if it is not possible, she will do more Banana Posts to complete the year's subscriptions.
Italia, 1990
The collage depicts Hansen's typical image of Venus of Willendorf made with gold foil. The outline material is the basis of the collage on the final page. The two center pages are photographic colored portraits of Hansen, one of which is a double exposure showing Hansen within his studio. -- Source of annotation: Marvin or Ruth Sackner.
Italia II, 1991
The collage consists of Hansen's typical image of Venus of Willendorf made with gold foil. The outline of the image is the collage on the final page. The photographs are portraits of Hansen, one of which is a deliberate double exposure. -- Source of annotation: Marvin or Ruth Sackner.
Just When Did We Go Through the Looking Glass, 1998
The image is a small man in a top hat (mad hatter) holding a sign that states "Just when did we go through the looking glass." -- Source of annotation: Marvin or Ruth Sackner.
[Ken Campbell: John Brinkley Fellow], 1985
KNOWLES ED 912 Posters (Situazione/Manifesti, No. 2): White Stripes for John Cage, 1967
Kollages, 1970
The prints were reproduced from collages made by Fones. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet Stars: Band 1, 1971
This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet Stars: Band 2, 1971
This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet Stars: Band 3, 1971
This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.
