Visual art
Subject Source: Sackner Database
Found in 588 Collections and/or Records:
L., 1976
Each page has a frontal line drawing portrait of a woman's face with short cropped haie presumably Linda Bandt Depew, Wally's wife. The drawings are altered with various shadowy effects and are printed in black or red. -- Source of annotation: Marvin or Ruth Sackner.
La Fee Chocolat, 1995
This book was illustrated by Berman and written by Frain. -- Source of annotation: Marvin or Ruth Sackner.
La Femme Électrique, 1988
La Geode: Ode et methode , 1992
The subject of this book is the sphere, the geode, including its architectural and mathematical possibilities. It deals with the geodesic dome. Laurent Berman illustrated the text of Daniele Levy and photographs of Felicio Rodriguez were integrated into the book. -- Source of annotation: Marvin or Ruth Sackner.
La Piedra Colectiva: Canciones con Movimiento, 1978
Includes reproduction of print by Claudio Parmiggiani. Also designated Exit 2. -- Source of annotation: Marvin or Ruth Sackner.
La Piedra Colectiva: Canciones con Movimiento , 1978
Also designated Exit 2. The print was made by Claudio Parmiggiani. -- Source of annotation: Marvin or Ruth Sackner.
La Sculpture Lettriste, Hypergraphique, Infinitesimale et Supertemporelle, 1986
No.39 of series "Documents Lettristes." -- Source of annotation: Marvin or Ruth Sackner.
La Tour Des Tours - La Tour Monumentale, 1972
Depicts an Eiffel Tower like image collaged from other famous buildings in history. -- Source of annotation: Marvin or Ruth Sackner.
The second copy is signed to Sara.
[Lady with scarf], 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Lanark: A Life in 4 Books, 1985
[Large Printed Abstractions], 1990
The original purchase price of each print was $5. -- Source of annotation: Marvin or Ruth Sackner.
L'Art en Transit, no. 4: Depanne Machine recontre Gilardi, Inverosimile, 1993
The object in the box is a bunch of plastic grapes mounted on plastic grass. The cover print on the box depicts colored leaves. -- Source of annotation: Marvin or Ruth Sackner.
This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.
Lecture and Exhibition of Visual Work , 1981
Leningrad; August 9th-24th 1991, 1992
Book depicts photographs of some scenes of Saint Petersburg, Russia in 1991 compared to postcard scenes from 1903. -- Source of annotation: Marvin or Ruth Sackner.
Les livres et las publications: catalogue raisonne, 2005
This book lists and depicts among other works all covers of issues of the eschenau summer press through 2005. -- Source of annotation: Marvin or Ruth Sackner.
Leviticus, 2002
The colored image of Jerusalem is outlined with hand printed Hebrew text of the entire book of Leviticus from the Testament. The main chapters of the book are written slightly larger format. -- Source of annotation: Marvin or Ruth Sackner.
L'Hiver Qui Vient, 1979
This deluxe edition contains an original collage and a duplicate suite of prints on rag paper that was made in Barcelona. -- Source of annotation: Marvin or Ruth Sackner.
Little Sparta: The Garden of Ian Hamilton Finlay, 2003
This book provides an illustrated tour of Little Sparta. The photographs of the garden were taken by Andrew Lawson. The Sackners purchased this book from Finlay during a visit to the garden in 2004. This is the third impression. Sir Roy Strong calls Little Sparta 'the only really original garden made in this country since 1945'. Ian Hamilton Finlay's unique creation in the Pentland Hills south of Edinburgh is a garden composed as an artwork in itself. It incorporates concrete poetry, moral polemic, philosophical reflection and a sparkling sense of humour. While Finlay's works and installations throughout Europe and North America are well documented and justly famous, this is the first book devoted solely to the garden at Little Sparta, which has been at the heart of his life's work. It offers the reader a sense of the diversity and originality of the garden along with a text that unfolds the layers of meaning it contains. -- Source of annotation: Marvin or Ruth Sackner.
Log Rhythms, 1999
The poem is by Bernstein and the illustrations and by Susan Bee. The covers were designed by Susan Bee and Philip Gallo. -- Source of annotation: Marvin or Ruth Sackner.
