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Visual art

 Subject

Subject Source: Sackner Database

Found in 588 Collections and/or Records:

Ornamental Design, 1985

 Item — Box Artist Boxed Materials/Oversized: Depew, Wally: [Barcode: 31858072491388]
Identifier: CC-55038-998891
Scope and Contents

The paper base for this drawing is a sketchbook page. The forms with their descriptive colors are reminiscent of American Indian designs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

Our Lady [1], 1952

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55313-9999063
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Our Lady [2], 1952

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55319-9999068
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Our Lady Abstraction [1], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55326-9999075

Our Lady Abstraction [2], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55327-9999076

Our Lady Abstraction [3], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55328-9999077
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [4], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55334-9999081
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [5], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55340-9999087
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [6], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55362-555333
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [7], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55363-753226
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Oyvind Fahlstrom, 1979

 Item
Identifier: CC-11155-11370
Scope and Contents

Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Oyvind Fahlstrom, 1980

 Item
Identifier: CC-11156-11371
Scope and Contents

This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Paesaggi Della Memoria 1982-84. No.29, 1984

 Item
Identifier: CC-22858-23294
Scope and Contents

The photography was done by Mazza and the text written by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Pains of Class , 1982

 Item — Box 318: [Barcode: 31858072490778]
Identifier: CC-55960-9999428
Scope and Contents

Adrian Mitchell wrote the introduction and images by Frans Masareel were used to illustrate this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Painting, 1996

 Item — Box 320: [Barcode: 31858072490851]
Identifier: CC-31283-32755
Scope and Contents

Pavel Babenko was the father of the visual poet, Dmitry Babenko. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996