Visual art
Subject Source: Sackner Database
Found in 219 Collections and/or Records:
[Homage to Joseph Cornell], 1992
Trasobares covered the cedar box with a wire lid that that opens like a gate to the nostalgic garden of Cornell's collage, "For Josephine," that is printed on the cover of the book, Joseph Cornell: Gifts of Desire by Dickran Tashjian. When the book is removed, the open gate reveals Cornell in his garden in Flushing, New York. In a direct reference to Cornell's assemblages, Trasobares selected an array of evocative objects for display in the box's small compartments." -- Source of annotation: Marvin or Ruth Sackner.
Horndeski Sampler # 1, 1993
This work was commissioned by the Sackner Archive to include a sampler of Horndeski's work. The theme is a couple who appear on the top of the box reading in their library with the sky outside their windows reminiscent of Van Gough's Starry Night. The top of the box depicts a fragment of a music score by Vivaldi and the sides calligraphic text and diagrams on Michaelson's theory of light and distance; all paintings are landscapes that relate to the couple's activities near their house. -- Source of annotation: Marvin or Ruth Sackner.
I Am Here, 2000
The images are reminiscent of those by Raymond Pettibone. The prints originated from ink wash drawings on white, blue, pink, and yellow paper stock. Some of the prints are folded. -- Source of annotation: Marvin or Ruth Sackner.
I Know My Place, 2007
[Ich Finde], 1987
There are pseudo-German baroque texts running througout the book that spawn figures or heads from the letters. -- Source of annotation: Marvin or Ruth Sackner.
Il Caso Williams, 1984
Imagine the Goddess / Lijn, Liliane., 1987
In the Studio, 1997
This is an assortment of works that Collins used in her contributions to mail art periodicals and projects. A fair amount of the work deals with contradictions. -- Source of annotation: Marvin or Ruth Sackner.
Just When Did We Go Through the Looking Glass, 1998
The image is a small man in a top hat (mad hatter) holding a sign that states "Just when did we go through the looking glass." -- Source of annotation: Marvin or Ruth Sackner.
[Ken Campbell: John Brinkley Fellow], 1985
Kollages, 1970
The prints were reproduced from collages made by Fones. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet Stars: Band 1, 1971
This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet Stars: Band 2, 1971
This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.
Kriwet Stars: Band 3, 1971
This is one of three volumes that reproduces Kriwet's scrapbook of images along with some collages. -- Source of annotation: Marvin or Ruth Sackner.
La Femme Électrique, 1988
[Lady with scarf], 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Leningrad; August 9th-24th 1991, 1992
Book depicts photographs of some scenes of Saint Petersburg, Russia in 1991 compared to postcard scenes from 1903. -- Source of annotation: Marvin or Ruth Sackner.
[Man with Cat in Cafe], 1954
Manifeste d'Arte Total, 1997
Ben Vautier contributes a line ink drawing which is white on the inside front cover and yellow on the facing page of a smiling man's face and the statements "moite blanc" and "je suis moitie jaune." The main section of the book is conventionally printed and list aphorisms of Ben's "Art Total" from 1965 -1997. The accompanying print was written in Ben's typical style. -- Source of annotation: Marvin or Ruth Sackner.
