Conran's poem is set into a black grid with primary colored, constructivistic designs by Tyson, reflecting the meaning of the lines of poetry. -- Source of annotation: Marvin or Ruth Sackner.

Published by the Brooklyn Waterfront Artists Coalition. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts an image in color or black & white that recapitulates Noel's visual ideas. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate print is inscribed to Sarah (sic). -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner. Ten heads total on this print. Upper left has lime green head off paper. Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The print depicts an expressionist portrait of Dante with the captions Canto III and Inferno. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Word "Eloquence" in lime green on silver arch. Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. The print depicts a stylized portrait of Dante. This work was shown at the Sackner Archive during Art Basel Miami December 2001. -- Source of annotation: Marvin or Ruth Sackner.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. A text of this image reads, "Semiramis & Dido & Cleopatra & Helen of Troy & Achilles & Paris & Tristan Und Isole De & Romeo and Juliet & Anna Karenina & Emma." -- Source of annotation: Marvin or Ruth Sackner. Image of Fleur-de-lis in brown surrounded by two dimensional wall on a grey background. Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. Note at bottom from Phillips that was done in aquatint (unknown). Number XIX.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. Text reads "fair / Florence, / Vice / good-bye my / exclamation..." Added: CEND.

This print is one of the proofs for the first edition of Phillips' Dante's Inferno. The completed prints were destroyed in a fire at the Editions Alecto studio and never published as an edition. Phillips subsequently redid the prints in a different manner although he borrowed some of the imagery from the first edition. The prints in a limited edition and a trade edition book were published by Phillips and Thames and Hudson, respectively. "slight and lukewarm, / not / able to love, / We / can't / for / repent..." Added: CEND.

This catalogue documents Claus' working methods in producing his graphic works. There are no illustrations of examples per se. The exhibition was done to honor Claus with the Gerhard-Altenbourg Prize. -- Source of annotation: Marvin or Ruth Sackner.