Skip to main content

Visual art

 Subject

Subject Source: Sackner Database

Found in 219 Collections and/or Records:

Neurosentimental , 1963

 Item
Identifier: CC-48785-69819
Scope and Contents

This is the first edition of the book; the second (1983) is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

Notes in Hand, 1970

 Item
Identifier: CC-04959-5057
Scope and Contents

This is the galley proof of book with handwritten corrections and additions. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

On a Different Perspective, 1987

 Item — Box Artist Boxed Materials/Oversized: Baroni, Vittore: [Barcode: 31858072491123]
Identifier: CC-21164-21573
Scope and Contents

Collages are made mostly from printed texts written by or about Baroni, which are cut-up in the manner of Gysin or folded-in in the manner of Burroughs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Our Lady [1], 1952

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55313-9999063
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Our Lady [2], 1952

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55319-9999068
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1952

Our Lady Abstraction [1], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55326-9999075

Our Lady Abstraction [2], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55327-9999076

Our Lady Abstraction [3], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55328-9999077
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [4], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55334-9999081
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [5], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55340-9999087
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [6], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55362-555333
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Our Lady Abstraction [7], 1953

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55363-753226
Scope and Contents

According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1953

Pains of Class / Armstrong, Keith., 1982

 Item — Box 318: [Barcode: 31858072490778]
Identifier: CC-55960-9999428
Scope and Contents

Adrian Mitchell wrote the introduction and images by Frans Masareel were used to illustrate this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

Paracutes, 1966

 Item — Box 617: [Barcode: 31858072461027]
Identifier: CC-03495-3552
Scope and Contents

The cover drawing (gouache, watercolor) was made by maRa. The two issues have distinctly different images. Printed by d.a. levy who ran this press. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Penis of Willendorf, 1997

 Item — Box 199: [Barcode: 31858072459690]
Identifier: CC-28797-30108
Scope and Contents

This sculpture was a collaborative project between Hitchcock and Dyar.The former found an eggplant in the shape of the sculpture that was cast by Dyar to make the multiple. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

[Person Emerging From Face], 1959

 Item — Box Artist Boxed Materials/Oversized: Houédard, Dom Sylvester (1949-1966): [Barcode: 31858072491487]
Identifier: CC-55335-9999082

Photo Archive, 2004

 Item — Box 299: [Barcode: 31858072460888]
Identifier: CC-42719-44738
Scope and Contents

The drawings are sketches of the locations of items within Collins' archive. The photographs document various Collins inspired projects. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Poems for the Northwest Territories / Cobbing, Bob., 1975

 Item — Box 392: [Barcode: 31858072461563]
Identifier: CC-17496-17862
Scope and Contents

Cobbing writes that these originals were "ideas sorted out for use in Poems for the N.W. Territories (some used as Christmas Cards). In the event, most of this batch of work was mislaid and the N.W. Territory poems were largely created on the day of printing." The abstract markings of the monoprints are sound poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Portrait of Robin Crozier, 1974

 Item — Box 635: [Barcode: 31858072464757]
Identifier: CC-17711-18080
Scope and Contents

This sound poem depicts an figurative image of abstract markings that are titled as a portrait of Robin Crozier, a mail artist living in England. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974