Visual art
Subject Source: Sackner Database
Found in 219 Collections and/or Records:
Neurosentimental , 1963
This is the first edition of the book; the second (1983) is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Notes in Hand, 1970
This is the galley proof of book with handwritten corrections and additions. -- Source of annotation: Marvin or Ruth Sackner.
On a Different Perspective, 1987
Collages are made mostly from printed texts written by or about Baroni, which are cut-up in the manner of Gysin or folded-in in the manner of Burroughs. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady [1], 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady [2], 1952
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [1], 1953
Our Lady Abstraction [2], 1953
Our Lady Abstraction [3], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [4], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [5], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [6], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Our Lady Abstraction [7], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Pains of Class / Armstrong, Keith., 1982
Adrian Mitchell wrote the introduction and images by Frans Masareel were used to illustrate this book. -- Source of annotation: Marvin or Ruth Sackner.
Paracutes, 1966
The cover drawing (gouache, watercolor) was made by maRa. The two issues have distinctly different images. Printed by d.a. levy who ran this press. -- Source of annotation: Marvin or Ruth Sackner.
Penis of Willendorf, 1997
This sculpture was a collaborative project between Hitchcock and Dyar.The former found an eggplant in the shape of the sculpture that was cast by Dyar to make the multiple. -- Source of annotation: Marvin or Ruth Sackner.
[Person Emerging From Face], 1959
Photo Archive, 2004
The drawings are sketches of the locations of items within Collins' archive. The photographs document various Collins inspired projects. -- Source of annotation: Marvin or Ruth Sackner.
Poems for the Northwest Territories / Cobbing, Bob., 1975
Cobbing writes that these originals were "ideas sorted out for use in Poems for the N.W. Territories (some used as Christmas Cards). In the event, most of this batch of work was mislaid and the N.W. Territory poems were largely created on the day of printing." The abstract markings of the monoprints are sound poems. -- Source of annotation: Marvin or Ruth Sackner.
Portrait of Robin Crozier, 1974
This sound poem depicts an figurative image of abstract markings that are titled as a portrait of Robin Crozier, a mail artist living in England. -- Source of annotation: Marvin or Ruth Sackner.
