Visual art
Subject Source: Sackner Database
Found in 219 Collections and/or Records:
Post-Modern Pin-Ups: Pleasure Activist Playing Cards, 1995
This work features pictures of nude women who had appeared in pin-up magazines. These are captioned by Sprinkle. In the booklet, Sprinkle also provides documentation on each person and contributes an essay, "The Forty Reasons Why Whores are My Heroes." -- Source of annotation: Marvin or Ruth Sackner.
Principles of Movement / Cobbing, Bob., 1978
Designated Card Series No.28. -- Source of annotation: Marvin or Ruth Sackner.
Processual Spin-Off: 1st Copy / Cobbing, Bob., 1983
Protiv Abstrakwionisma B Iskoosstby (Against Abstraction in Art) / Lebedev, A.K.., 1963
Reproductions of paintings by Mark Rothko and Mark Toby are included in this book. -- Source of annotation: Marvin or Ruth Sackner.
Puzzle Making, 2001
Mimi Shapiro created this collage and an accompanying artist book as a poetic and artistic response to the September 11th terrorist destruction of the World Trade Center skyscrapers. -- Source of annotation: Marvin or Ruth Sackner.
Raumtexte, 1990
Recent Paintings, Watercolours and Drawings, 1973
John Russell contributed an introductory essay that analyzed Phillips' painting "Benches" as well as "A Humument." "Oh, those reds," a painting from 1969 to 1973, that is depicted in black & white in the catalogue is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Riasg Buidhe , 1989
Ruth and Marvin's Medicine Cabinet, 2006
The artists are visual poets who gifted this work to the Sackner Archive after a visit to the collection. The cabinet is painted in primary colors and the hand printed texts are paint and ink. the six balls are printed with the names Duchamp, Ball, Marinetti, appolinaire (sic) Campos (sic) and Mallarme. The typed stories relate to Denise's youth and problems with asthma. -- Source of annotation: Marvin or Ruth Sackner.
[Saint Benedict], 1953
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
[Saint Benedict 2], 1953
[Saint Benedict 3], 1953
[Saint Sebastian Shot With Arrows], 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Scratching Face, 2010
Jake Berry desscribes this book as prose poems. The colored cover drawing of a scratched face is by Rich Curtis. -- Source of annotation: Marvin or Ruth Sackner.
Second Hand zur Unsterblichkeit, 1994
Secret Anatomy page N.7 (postcard), 2007
Attached to the postcard is a document from the Russian Federation's Ministry of Culture approving the card for exportation
Seizure (postcard), 2004
Along with postcard is a document from the Russian Federation's Ministry of Culture approving the card to be exported to the United States.
