Visual art
Subject Source: Sackner Database
Found in 219 Collections and/or Records:
Situazione Corrente, 1971
The pages depict photographs of a locomotive pulling passenger railroad cars. -- Source of annotation: Marvin or Ruth Sackner.
Six of Hearts [final proof], 1979
This print was constructed according to rules of the golden section but most of the lines have been erased even though this version is designated as the final proof. The print was not editioned but a musical piece with the same title was cokmposed in 1991. This was recorded on a compact disc in 1997, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Six of Hearts [trial proof], 1979
This print was constructed according to rules of the golden section with these lines retained in gold ink. The print was not editioned but a musical piece with the same title was composed in 1991 and recorded on a compact disc in 1997. The disc is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Slide Works 1, 1980
Social Butterfly, 1986
This is a feminist book. -- Source of annotation: Marvin or Ruth Sackner.
Still Life in 2007, 2006
This Christmas gift from Bart consists of instructions on how to mount the given objects that are stored in a red silk bag onto a printed paper base creating a constructivistic minataure landscape. -- Source of annotation: Marvin or Ruth Sackner.
Swedish Box, 1996
The book is a diaristic account of Tavenner's trip to Sweden. -- Source of annotation: Marvin or Ruth Sackner.
Taschenbuch der Panzer, 1981
The eight colored prints play off the image of the Pansey, the flower as a camouflaged image of Panzer, the German armored tank. A section of this book is entitled, "Detached Sentances on Camouflage: In the Manner of Shenstone. William Snenstone (1714-1763) was a poet and gardner. This list aphorisms about floral and military tank camouflage. -- Source of annotation: Marvin or Ruth Sackner.
TautoliCard n.1, 2009
[the 1st of January] / Melnikov-Starquist, Willi., 1997
This is a letter addressed to Mr. Marvin Sackner! " Great thanks for your wonderful catalog!" -- Source of annotation: Marvin or Ruth Sackner. Attached to "Hieroglypoetry especially for Mr. Marvin Sackner"
The Consistency of Shadows: Exhibition Catalogs as Autonomous Works of Art, 2003
The compact disc is held in place by means of bubbles on both sides of the case and by a slit through each one of the pamphlets. The compact disc depicts installation photographs of the catalogs and an interview between Boehme and Boltanski. -- Source of annotation: Marvin or Ruth Sackner.
The Cyclist, 1995
The wood engraving illustrations are by John De Pol. -- Source of annotation: Marvin or Ruth Sackner.
The Day Is A Prayer They Can't Understand, 1967
Collage cover of photographic b&w reproductions of female nudes was composed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.
The Forest and the Revolution, 1981
Flyer advertising a series of exhibitions entitled "The Forest and the Revolution" held from May-October 1981 in Stonypath Garden and the Garden Temple in Finlay's Little Sparta in Lanarck, Scotland. Exhibitions included "Souvenirs of the French Revolution", "Nine Columns", "Names on Trees", "Talismans and Signifiers", "Classic Landscapes", "Pantheon of the Revolution", "Zeno and Epicurus", "Raspberry Camouflage", and "Spartan and Old Roman Promenades", as well as other publications and plantings.
The Garden, 1995
This is the 2nd edition of the book. -- Source of annotation: Marvin or Ruth Sackner.
