This black box is one "encounter" between an artist and Dépanne Machine, out of a series of six.

This book provides a sampling of Scherstjanoi's oeuvre from 1982-2008. -- Source of annotation: Marvin or Ruth Sackner.

Collage has the shape of an egg. -- Source of annotation: Marvin or Ruth Sackner.

This box and its contents represent documentation for an installation in galerie AB, Paris, January 1992. -- Source of annotation: Marvin or Ruth Sackner.

This print is divided into an upper half that depicts a typewriter poem with a typed frontal view of a face. The lower half depicts the tItle in bold typography and a collage of an eye and dentures. -- Source of annotation: Marvin or Ruth Sackner.

This work is based upon Sufi mysticism and deals with Judaism, Christianity and Islam. -- Source of annotation: Marvin or Ruth Sackner.

Depicts fragments of A Humument pages 213 and 116. The poem reads: "A Humument. dying to make you to take you in o lush neck - one of her chins overlapped Grenville for years; - A Humument. hailed the intelligence with delight. moving again-- moving - hoped the colours of his anticipations took place words. remained - share it, grow bright again. - A Humument. the paper back with a gentle voice hehehe hehehe hehe hehe A HU UMENT. chance words." -- Source of annotation: Marvin or Ruth Sackner.

This book consists of examples of Ovcacek's typewriter, letraset, and stencilled letter works done between 1962-1993 along with critical essays in the Czech language. Jiri Valoch contributed an introductory essay. Ovacek's typewriter poetry marks him as one of the foremost contributors to this style of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

The title in English means to scale over. The text consists of a repetition of the words, morte and death over a Manchester Guardian newspaper image of The Communist leader, Brezhnev whispering into the ear of President Nixon. -- Source of annotation: Marvin or Ruth Sackner.

The image in the center of this work depicts a collaged reproduction of a renaissance painting of Adam and Eve with their hands on an apple. This is surrounded by linear calligraphic markings formed with black thread embedded in the paper that covers the object. A larger calligraphic mark formed with thicker brown thread simulates a large letter beginning an illuminated manuscript. Calligraphic markings at the bottom of the Adam and Eve image act as a "caption" for the painting. -- Source of annotation: Marvin or Ruth Sackner.

And relays his recovery from tsetse syndrome, flu, and bone chip in his ankles to Karl. He also describes his surprise at Hoffberg's book exhibit and announces the release of Anti-Isolation.

This is the first letter written to Marvin Sackner from Tom Phillips. Sackner was moved by Phillips' exhibition in the Basel Kunsthalle. The letter begins, "Thanks for your kind letter & your good wishes re - A Humument - it has been a long haul!" He goes on extending an invitation to visit him in London. -- Source of annotation: Marvin or Ruth Sackner.

The poster printed on heavy glossy stock depicts an abstracted shape of a nude feminine torso with its surface covered by a grid of randomly selected typewritten letters. -- Source of annotation: Marvin or Ruth Sackner.

This series was edited by Luciano Caruso. This booklet includes the poetic works of Caruso as well as Villa, Diacono and Martini. Stored with Luciano Caruso material. -- Source of annotation: Marvin or Ruth Sackner.

Castellano aka LUCA. -- Source of annotation: Marvin or Ruth Sackner.

The paper tape contains the poem "little snail / inch by inch / climb Mount Fuji!" this object was a holiday gift to the Sackners -- Source of annotation: Marvin or Ruth Sackner.